In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Sir Eduardo Paolozzi 1924–2005
- Part of
- As Is When
- Medium
- Screenprint on paper
- Dimensions
- Image: 767 × 548 mm
- Collection
- Tate
- Acquisition
- Presented by Rose and Chris Prater through the Institute of Contemporary Prints 1975
- Reference
- P04762
Display caption
The life and theories of the Austrian philosopher Ludwig Wittgenstein inspired this sequence of screenprints. Each print includes quotations from Wittgenstein's own writings or passages from a biography. The collages of fragmented images relate to these texts. Paolozzi has described the prints as 'a kind of combined autobiography'. His Italian background led him to identify with Wittgenstein as 'a foreigner in England', who shared an interest in engineering and a love of cinema. He has also drawn parallels between Wittgenstein's theories of language and his own artistic practice.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- abstraction(9,836)
-
- non-representational(6,702)
- formal qualities(12,565)
-
- pattern(360)
- inscriptions(6,688)
-
- quotation(299)
You might like
-
Sir Eduardo Paolozzi Artificial Sun
1964 -
Sir Eduardo Paolozzi Theory of Relativity
1967 -
Sir Eduardo Paolozzi He Must, So To Speak, Throw Away the Ladder
1965 -
Sir Eduardo Paolozzi The Spirit of the Snake
1965 -
Sir Eduardo Paolozzi Assembling Reminders for a Particular Purpose
1965 -
Sir Eduardo Paolozzi Spontaneous Discrimination Non-Spontaneous Discrimination
1967 -
Sir Eduardo Paolozzi Reality
1964 -
Sir Eduardo Paolozzi Experience
1964 -
Sir Eduardo Paolozzi Tortured Life
1964 -
Sir Eduardo Paolozzi Computer-Epoch
1967 -
Sir Eduardo Paolozzi Memory Matrix
1967 -
Sir Eduardo Paolozzi Futurism at Lenabo
1964 -
Sir Eduardo Paolozzi [no title]
1967 -
Sir Eduardo Paolozzi [no title]
1967 -
Sir Eduardo Paolozzi [no title: trial proof for As is When]
c.1964