Not on display
- Artist
- John Pettie 1839–1893
- Medium
- Oil paint on canvas
- Dimensions
- Support: 1158 × 1703 × 33 mm
- Collection
- Tate
- Acquisition
- Presented by the Trustees of the Chantrey Bequest 1884
- Reference
- N01582
Technique and condition
The canvas has been painted using traditional techniques - impasto, glazing and scumbling. The oil medium may contain additives to impart extra transparency.
The present varnish is moderately discoloured and the restorations are visually adequate at present. The paint and ground layers are inherently unstable. The canvas is lined but the quality of the lining is poor.
Helen Brett
October 2000
Explore
- architecture(41,310)
- politics and society(2,351)
- clothing and personal items(5,879)
- altar(80)
- sword(214)
- actions: postures and motions(9,097)
-
- kneeling(505)
- man(10,483)
- universal religious imagery(868)
-
- prayer(103)
- royalty and social rank(1,833)
-
- knight(39)
You might like
-
John Pettie On the Dark Continent
exhibited 1890 -
John Pettie Portrait of the Artist
1882 -
John Henry Lorimer Sir Robert Lorimer, A.R.A., as a Boy
1875 -
Robert Alan Mowbray Stevenson Houses in Snow
date not known -
Joseph Farquharson The Joyless Winter Day
exhibited 1883 -
Edwin Douglas Alderneys (Mother and Daughter)
1875 -
Sir William Quiller Orchardson Mrs Charles Moxon
c.1875 -
Philip Hermogenes Calderon St Elizabeth of Hungary’s Great Act of Renunciation
1891 -
Sir William Quiller Orchardson The First Cloud
1887 -
John Robertson Reid Toil and Pleasure
1879 -
Sir William Quiller Orchardson Napoleon on Board the Bellerophon
exhibited 1880 -
Sir William Quiller Orchardson Her First Dance
1884 -
William Small The Last Match
1887 -
Sir William Quiller Orchardson Her Mother’s Voice
exhibited 1888 -
John Robertson Reid A Country Cricket Match
1878