Not on display
- Artist
- Germaine Richier 1902–1959
- Original title
- L'Ouragane
- Medium
- Bronze
- Dimensions
- None
- Collection
- Tate
- Acquisition
- Purchased with assistance from the Art Fund and the Friends of the Tate Gallery 1995
- Reference
- T07014
Display caption
Like Storm Man, this work is a homage to the survival of humanity in the face of the destruction wreaked by the Second World War. Characteristic of Richier’s sculpture are her expressive use of the bronze medium, with its pock-marked surfaces, and her insistently figurative subject matter. The heavily-worked surfaces suggest her affinity to contemporary gestural abstract painting. However, Richier believed that in order to be effective art should not ‘withdraw from expression’, since ‘we decidedly cannot conceal human expression in the drama of our time’.
Gallery label, July 2008
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
You might like
-
Germaine Richier Diabolo
1950, cast 1994 -
Germaine Richier Water
1953–4 -
Germaine Richier Self-Portrait
1948–9, published 1961 -
Alberto Giacometti Standing Woman
c.1958–9, cast released by the artist 1964 -
Germaine Richier Shepherd of the Landes
1951, cast 1996 -
Germaine Richier Storm Man
1947–8, cast 1995 -
Germaine Richier Portrait
1948–51, published 1961 -
Germaine Richier Untitled
1954–6, published 1961 -
Germaine Richier The Bat
1946, cast 1996 -
Sir Anthony Caro Woman Waking Up
1955 -
Alberto Giacometti Woman with a Broken Shoulder
c.1958–9, cast released by the artist 1964 -
Germaine Richier Chessboard, Large Version (Original Painted Plaster)
1959 -
Henri Laurens Autumn
1948, ?later cast -
Alberto Giacometti Woman of Venice IX
1956 -
Germaine Richier Bat
1948–51, published 1955