
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- William Roberts 1895–1980
- Medium
- Graphite on paper
- Dimensions
- Support: 178 × 269 mm
- Collection
- Tate
- Acquisition
- Accepted by HM Government in lieu of inheritance tax and allocated to Tate 2007
- Reference
- T12724
Explore
- interiors(2,776)
-
- workspaces(918)
-
- studio(549)
- fine arts and music(3,982)
-
- canvas(58)
- easel(81)
- paintbrush(90)
- palette(73)
- book - non-specific(1,954)
- actions: expressive(2,622)
-
- talking(602)
- group(4,227)
- Bell, Clive(172)
- Bell, Vanessa(696)
- Cézanne, Paul(36)
- Fry, Roger(209)
- Grant, Duncan(14)
- religions(181)
-
- Christianity(2,755)
- Christianity, Protestantism(1,942)
- Christianity, Protestantism, Quakers(224)
- lifestyle and culture(10,247)
-
- high art(60)
- English(13,010)
- arts and entertainment(7,210)
-
- art critic(525)
- artist - non-specific(2,109)
- artist, painter(2,545)
You might like
-
Sir Max Beerbohm Annual Banquet: A Suggestion to the New English Art Club
1913 -
William Roberts A Reception at the London Group
c.1948–9 -
William Roberts Music Lovers
c.1937–8 -
William Roberts Study for ‘The Gipsies’
c.1942 -
William Roberts The Life Master
c.1949 -
William Roberts Study for ‘Hanging a Masterpiece’
c.1934 -
William Roberts Study for ‘Homage à Stulik’
c.1948 -
William Roberts Study for ‘I’ll Put a Tuck in ‘Em’
c.1948 -
William Roberts Study for ‘He Knew Degas’
c.1938 -
William Roberts Drop Curtain for the Camargo Ballet
c.1931 -
William Roberts Setting the Pose
c.1952 -
William Roberts Study for ‘The Temptation of St Anthony’
c.1950–1 -
William Roberts The critic intervenes; Man milking a goat (reverse)
no date -
William Roberts Study for ‘Trafalgar Square’
c.1926 -
William Roberts Study for ‘The Card Players’
c.1937–8