Not on display
- Artist
- Sir William Rothenstein 1872–1945
- Medium
- Oil paint on canvas
- Dimensions
- Support: 813 × 457 mm
frame: 1044 × 690 × 55 mm - Collection
- Tate
- Acquisition
- Purchased 1931
- Reference
- N04595
Catalogue entry
N04595 WOMAN STANDING IN DOORWAY c. 1894
Not inscribed.
Canvas (unprimed), 32×18 (81×45·5).
Purchased from Oliver Simon (Lewis Publications ‘A’ Fund) 1931.
Coll: Oliver Simon was a cousin of the artist and probably acquired the picture direct.
A slight sketch done at the time when the influence of Whistler and Goya was still paramount. The artist notes his liking for a sized, unprimed canvas (Men and Memories, I, p.178).
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II
Explore
- architecture(41,310)
- actions: postures and motions(9,097)
-
- standing(3,131)
- woman(9,059)
You might like
-
Sir William Rothenstein Miss Edith Lockyer Williams
1893 -
Sir William Rothenstein Jews Mourning in a Synagogue
1906 -
Sir William Rothenstein The Doll’s House
1899–1900 -
Sir William Rothenstein Mother and Child
1903 -
Sir William Rothenstein Two Women
c.1895 -
Sir William Rothenstein The Butcher’s Shop under the Trees
1899 -
Sir William Rothenstein Jan Toorop
1894 -
Sir William Rothenstein Parting at Morning
1891 -
Sir William Rothenstein The Princess Badroulbadour
1908 -
Sir William Rothenstein The White Cliffs, Vaucottes
1908 -
Sir William Rothenstein Norman Hamlet
?exhibited 1910 -
Sir William Rothenstein Barnett Freedman
1925 -
Sir William Rothenstein Working Drawing for the Boy in ‘The Princess Badroulbadour’
1908 -
Augustus John OM Dorelia Standing before a Fence
c.1903–4 -
Sir William Rothenstein Front: Study of a woman’s head in profile and detail of nose and one eye, back: study of a standing female nude
date not known