Not on display
- Artist
- Kurt Schwitters 1887–1948
- Medium
- Plaster, paint
- Dimensions
- Object: 195 × 152 × 60 mm
- Collection
- Tate
- Acquisition
- Purchased with funds provided by Tate International Council, Tate Members and Art Fund 2018
- Reference
- T15028
Display caption
It was Schwitters’ practice to incorporate chance into his works, by using found materials in which he identified subtlety and beauty. In his final years, spent in exile in Britain, he made small scale works with wood, plaster and other elements. Many of these were informal, but often use coloured and painted surfaces to resolve the composition. The results are curious, often witty, sculptures.
Gallery label, November 2007
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- abstraction(9,884)
-
- from recognisable sources(4,513)
-
- figure(2,275)
- non-representational(6,713)
-
- irregular forms(2,013)
- formal qualities(12,722)
-
- assemblage / collage(47)
- found object / readymade(2,632)
- humour(1,418)
- clothing and personal items(5,884)
-
- hat(1,445)
- arts and entertainment(6,549)
-
- clown(117)
You might like
-
Kurt Schwitters Untitled (Togetherness)
c.1945–7 -
Kurt Schwitters (Relief in Relief)
c.1942–5 -
Kurt Schwitters Red Wire Sculpture
1944 -
Kurt Schwitters Untitled (Stone)
1945–7 -
Kurt Schwitters Opened by Customs
1937–8 -
Kurt Schwitters The Proposal
1942 -
Kurt Schwitters Magic
c.1936–40 -
Kurt Schwitters The Autumn Crocus
1926–8, reconstructed 1958 -
Kurt Schwitters Untitled (Ochre)
c.1945–7 -
Kurt Schwitters Lofty
c.1945–7 -
Kurt Schwitters Aphorism
1923 -
Kurt Schwitters Picture of Spatial Growths - Picture with Two Small Dogs
1920–39 -
Kurt Schwitters Untitled (White Construction)
1942 -
Kurt Schwitters Photocopy of Kurt Schwitters’ last will and testament
15 November 1947 -
Unknown person(s) Note relating to cash in Schwitters’ estate
1 September 1948