In Tate Modern
Media Networks: Beyond Pop
Free entry- Artist
- Colin Self born 1941
- Medium
- Resin, fibreglass, metal and wood
- Dimensions
- Object: 110 x 1220 x 120 mm, 6.4 kg
- Collection
- Tate
- Acquisition
- Purchased 1994
- Reference
- T06904
Display caption
Fast food was a typical subject for pop art in the 1960s. It represented consumerism and a new fast-paced society. Many artists in the 1960s celebrated consumption. But Self’s Hot Dog Sculpture focuses on the darker side of the decade. The blackened hot dog relates to military conflict. Its charred appearance reflects Self’s anxiety about a possible nuclear war.
Gallery label, August 2019
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- emotions, concepts and ideas(16,876)
-
- universal concepts(6,472)
-
- menace(211)
- food and drink(978)
-
- hot dog(4)
- social comment(6,597)
-
- consumerism(103)
- war(359)
You might like
-
Colin Self Leopardskin Nuclear Bomber No. 2
1963 -
Colin Self Guard Dog on a Missile Base, No. 1
1965 -
Colin Self Picasso’s Guernica and the Nazis
1968 -
Colin Self Bomber No. 1
1963 -
Colin Self Gardens with Green Garden Sculpture
1966–9 -
Colin Self Moneyman No. 2
1983 -
Bernard Meadows Spring ‘Seasons’ Cock
1956 -
Bernard Meadows Shot Bird
1959 -
Bernard Meadows Help
1966 -
Bernard Meadows Fallen Bird
1958 -
Tom Hudson Box of Clouds
1965–72 -
Bernard Meadows Black Crab
1951–2 -
Bernard Meadows Startled Bird
1955 -
Colin Self Man Scanning the Distance
1983