Not on display
- Artist
- Philip Wilson Steer 1860–1942
- Medium
- Oil paint on canvas
- Dimensions
- Support: 918 × 508 mm
- Collection
- Tate
- Acquisition
- Accepted by HM Government in lieu of inheritance tax and allocated to Tate 2005
- Reference
- T11973
Display caption
In Britain, Steer pioneered the new French concept of painting naturalistic bedroom scenes of women dressing or washing. It was an approach derived from French artist Edgar Degas. This scene places the viewer in the role of voyeur, and the girl’s absorption in her reflection echoes our own consideration of her.Intimate scenes such as this were bitterly denounced by critics for indecency. In the background hangs a painting by English painter Walter Sickert, Steer’s artistic ally.
Gallery label, May 2007
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- natural phenomena(3,159)
-
- reflection(710)
- clothing and personal items(5,879)
-
- petticoat(8)
- painting(476)
- actions: postures and motions(9,097)
-
- sitting(3,323)
- woman(9,059)
- arts and entertainment(6,694)
-
- model(233)
You might like
-
Philip Wilson Steer Seated Nude: The Black Hat
c.1900 -
Philip Wilson Steer Mrs Cyprian Williams and her Two Little Girls
1891 -
Philip Wilson Steer Sleep
exhibited 1898 -
Philip Wilson Steer The Music Room
1905–6 -
Sir William Orpen The Mirror
1900 -
Ambrose McEvoy The Ear-Ring
exhibited 1911 -
Philip Wilson Steer A Procession of Yachts
1892–3 -
Philip Wilson Steer The Swiss Alps at the Earl’s Court Exhibition
1887 -
Philip Wilson Steer David Croal Thomson
1895 -
Philip Wilson Steer Southwold
c.1889 -
Philip Wilson Steer Figures on the Beach, Walberswick
c.1888–9 -
Philip Wilson Steer Girls Running, Walberswick Pier
1888–94 -
Philip Wilson Steer Bird-nesting, Ludlow
1898 -
Philip Wilson Steer Boulogne Sands
1888–91 -
Philip Wilson Steer Stroud: An Upland Landscape
1902