Not on display
- Artist
- Geoffrey Tibble 1909–1952
- Medium
- Oil paint on canvas
- Dimensions
- Support: 914 × 711 mm
frame: 1162 × 953 × 116 mm - Collection
- Tate
- Acquisition
- Purchased 1990
- Reference
- T05748
Display caption
Tibble was one of the leading Objective Abstraction painters. In 1937 he reverted to figurative painting, but like Moynihan's at the same time his new work showed evidence of Objective Abstraction's painterly freedom. Tibble's studio near the Euston Road School was close to 44 Howland Street, in which the French lyric poet Verlaine had lived in 1872-3. This record of that house's demolition combines bold colour and an excited seizing of shapes with a Euston Road-like concern for documenting the urban scene.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- architecture(41,337)
-
- residential(5,541)
-
- house(2,666)
- ruins(3,720)
-
- demolition site(29)
- townscapes / man-made features(21,710)
-
- scaffolding(52)
- UK countries and regions(24,411)
-
- England(19,255)
You might like
-
Evelyn Dunbar Winter Garden
c.1929–37 -
Geoffrey Tibble Three Women
1930 -
Geoffrey Tibble Still Life
1929 -
Geoffrey Tibble Dressing
1944 -
Sir Lawrence Gowing Wellington Square
c.1944–5 -
Victor Pasmore The Quiet River: The Thames at Chiswick
1943–4 -
Geoffrey Tibble The Mug
1948 -
Evelyn Dunbar A Land Girl and the Bail Bull
1945 -
Sir William Coldstream Studio Interior
1932–3 -
L.S. Lowry The Old House, Grove Street, Salford
1948 -
Alan Beeton Decomposing
c.1929 -
Sir George Clausen My Back Garden
exhibited 1940 -
Humphrey Jennings The House in the Woods
1939–44 -
Paul Nash Blue House on the Shore
c.1930–1 -
Sir William Coldstream Seated Nude
1952–3