Technically this drawing has features in common with the coloured work of the Oxford sketchbook, notably the view of Lacy’s Court, Abingdon (Tate D00014; Turner Bequest II 4); but the intensity of the palette and the confidence with which the figures are introduced suggest that it dates from a little later.
Blank; inscribed in pencil, in a later hand ‘No 18’; stamped in brown ink with Turner Bequest monogram.
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