Joseph Mallord William Turner

Oxford: The Interior of Christ Church Cathedral

c.1798

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

License this image

In Tate Britain

Turner Collection: Turner and Gothic Cathedrals

Free entry
Artist
Joseph Mallord William Turner 1775–1851
Medium
Gouache, pen and ink, graphite and watercolour on paper
Dimensions
Support: 686 x 499 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D02348
Turner Bequest L G

Display caption

This is an extremely rare example of Turner breaking the rules of perspective to show horizontal lines parallel to the picture plane as converging. According to the rules of perspective all such lines should be represented by lines that are horizontal on the surface of the picture. However, Turner has shown the upper horizontal parts of the nave and transept sloping down to a vanishing point outside the left edge of the painting.

Gallery label, September 2004

Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.

Catalogue entry

This is an unfinished watercolour, showing the view looking past the crossing and organ screen into the chancel. The sonorous tonality and bold treatment of Romanesque architecture take up themes that Turner had treated with great force in his exhibited watercolour of 1797, Transept of Ewenny Priory, Glamorganshire (National Museum Wales, Cardiff).1
A similar subject, embarked on about this time and taken closer to completion, is the grand view of the interior of Durham Cathedral (Tate D01101; Turner Bequest XXXVI G).

Andrew Wilton
March 2013

1
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.325 no.227, pl.28.

Read full Catalogue entry

Explore

You might like

Left Right