In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 128 × 114 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D04354
Turner Bequest LXXII 60 a
Catalogue entry
You might like
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Joseph Mallord William Turner Commentary on Titian’s ‘Entombment’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Jacob van Ruisdael’s ‘Burst of Sunshine’ and ‘Storm off the Dutch Coast’ (Inscriptions by Turner)
1802 -
Joseph Mallord William Turner Commentary on Nicolas Poussin’s ‘Landscape with Diogenes’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘St Peter Martyr’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘St Peter Martyr’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Correggio’s ‘St Jerome’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Guercino’s ‘Mars and Venus’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Guercino’s ‘Mars and Venus’ and ‘Virgin and Child’ (Inscriptions by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Christ Crowned with Thorns’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Inscription by Turner: Commentary on Guercino’s ‘Raising of Lazarus’
1802 -
Joseph Mallord William Turner Commentary on Giorgione/Titian’s ‘Concert-champêtre’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on ‘The Good Samaritan’ by a Rembrandt Follower (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Peter Paul Rubens’s ‘Landscape with a Rainbow’ and ‘Tournament’ (Inscriptions by Turner)
1802
