The inscription beneath the sketch has been interpreted differently by different writers. David Wallace-Hadrill and Janet Carolan suggest that it says ‘Black Crofts’, a village on the northern side of Loch Etive opposite, where Turner would have stood to make this sketch.
2 John Gage, however, has read the second word as ‘Cuyp’, referring to the artist Aelbert Cuyp (1620–91), who Turner associated with dawn and dusk scenes, often inscribing the name to indicate a Cuypian scene, or just a yellow hue.
3 The suggestion is compelling when compared to two other sketches made during Turner’s 1831 tour of Scotland (Tate
D25737; Turner Bequest CCLXV 53; and Tate
D26559; Turner Bequest CCLXX 62a), both of which have the word inscribed next to a small circle showing the sun’s orb. It is also supported by further colour notes on similar sketches of Dunstaffnage on folios 81 verso and 83 (
D26901,
D26904) – ‘all grey’ and ‘gold’ – which indicate, according to Wallace Hadrill and Carolan, that Turner saw the scene ‘in terms of the watercolour that might result’.
4 Neither writer tackled the first word which could be read as ‘Castle’, referring to Dunstaffnage, or ‘Cattle’, suggesting that Turner had seen cows near the water’s edge in the foreground of the picture. ‘Cattle’ would be consistent with the ‘Cuyp’ reading, as the Dutch master often painted cows in the foreground of his pictures.