See notes to Tate D25468; Turner Bequest CCLXIII 345 for four progress colour studies for the watercolour Grenoble Bridge (Baltimore Museum of Art, Maryland)1 made for Charles Holford apparently in 1824. This study is on the same paper as the Holford watercolour; see Technical notes below. To the basic opposition of blue and ochre laid out in D25468 it adds more structure and content, with suggestions of the piers of the bridge, other buildings and rowing boats on the river. The washes are also more subtle and diffused, as Turner experiments with the atmosphere of a sunlit summer day.
Wilton 1979, p.345 no.404.
The paper was made by Bally, Ellen and Steart at De Montalt Mill, Combe Down, Bath, Somerset, and watermarked. Turner used the same paper for the next in his series of studies (Tate D25469; Turner Bequest CCLXIII 346) and for the finished watercolour.
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