Joseph Mallord William Turner

Grosvenor Bridge on the River Dee, with Chester Castle Beyond


In Tate Britain

Prints and Drawings Room

View by appointment
Joseph Mallord William Turner 1775–1851
Graphite on paper
Support: 114 × 191 mm
Accepted by the nation as part of the Turner Bequest 1856
Turner Bequest CCXXXIX 14 a

Catalogue entry

In undated manuscript notes, A.J. Finberg (died 1939) changed his incorrect 1909 Turner Bequest Inventory identification of this subject from Shrewsbury to ‘Chester’, as did the watercolour and Turner scholar C.F. Bell (died 1966).1 As Ian Warrell has noted, the subject is Grosvenor Bridge over the River Dee in the middle distance, looking north-east2 to the city beyond, seen from the vicinity of what is now Curzon Park North, a residential street backing onto the river opposite the racecourse.
On the skyline above the bridge is Chester Castle, apparently with the tower of St Michael’s Church to the left. The drawing appears slightly confused at this point, with strokes running diagonally across the top left corner with associated ‘x’ symbols and a note possibly indicating that the buildings are all shown ‘to[o] Low’ (or perhaps ‘high’). There is a similar prospect at the top of folio 15 recto opposite (D22177).
Chester, the county town of Cheshire, stands on the River Dee not far from the Welsh border, about thirty miles north of Shrewsbury (see under folio 12 verso; D22172) and south of Liverpool and Manchester (see under folio 12 recto; D22171). Turner had first visited the city in 1794, when he ventured into North Wales for the first time. He drew the castle and cathedral (Tate D40041; verso of Turner Bequest XXI L), and two views of picturesque old houses and shops in the centre (Ashmolean Museum, Oxford). The castle subject was the basis of an untraced watercolour3 engraved in 1796 as Chester (Tate impression: T05892). In 1801 he returned and made studies in and around the city in the Chester sketchbook (Tate; Turner Bequest LXXXII): Tate D05129 (Turner Bequest LXXXII 52) was the source of an untraced watercolour4 engraved in 1810 as Distant View of Chester (Tate impression: T05730); and Tate D05128 (Turner Bequest LXXXII 51) was used for a watercolour of a nearer view of the castle (Ashmolean Museum)5 engraved in the same year as Part of Chester Castle (Tate impression: T05948).

Matthew Imms
April 2014

A.J. Finberg, undated MS notes in a copy of Finberg 1909, Tate Britain Prints and Drawings Room, vol.II, p.734; C.F. Bell, undated MS notes in another copy at the same location, vol.II, p.734.
Ian Warrell, notes from 1993 and later in Tate catalogue files.
Andrew Wilton, J.M.W. Turner: His Life and Work, Fribourg 1979, p.311 no.93.
Ibid., p.335 no.312.
Ibid., p.335 no.313 reproduced.
See Steve Howe, ’12. The Grosvenor Bridge and Overleigh Cemetery’, Chester: A Virtual Stroll around the Walls, accessed 15 April 2014,
Finberg 1909, II, pp.734–6.

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