In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 114 × 128 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D04371
Turner Bequest LXXII 75 a
Catalogue entry
Explore
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Joseph Mallord William Turner Combat of Hercules and Achelous, after Domenichino
1802 -
Joseph Mallord William Turner Mars and Venus, after Guercino
1802 -
Joseph Mallord William Turner The Vision of St Bruno, after Pier Francesco Mola
1802 -
Joseph Mallord William Turner Erminia and Valfrino Tending the Wounded Tancred After the Battle with Argante, after Pier Francesco Mola
1802 -
Joseph Mallord William Turner The Raising of Lazarus, after Guercino
1802 -
Joseph Mallord William Turner The Good Samaritan, after a Rembrandt Follower
1802 -
Joseph Mallord William Turner The Adoration of the Infant Jesus, after Lorenzo Lotto
1802 -
Joseph Mallord William Turner Copy after Richard Wilson: ‘The Convent on the Rock’
1796–7 -
Joseph Mallord William Turner Venus at the Forge of Vulcan, after Anthony Van Dyck
1802 -
Joseph Mallord William Turner St Roch Interceding for Victims of the Plague, after Peter Paul Rubens
1802 -
Joseph Mallord William Turner A Stream, with Large Rocks and Trees
?1792 -
Joseph Mallord William Turner Harewood Bridge, the River Wharfe and Harewood Castle
1808 -
Joseph Mallord William Turner Trunk and Branches of a Tree
1805 -
Joseph Mallord William Turner Copy after Richard Wilson: The Bridge of Augustus at Rimini
1796–7 -
Joseph Mallord William Turner Crag and Village
1802