In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 114 × 128 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D04371
Turner Bequest LXXII 75 a
Catalogue entry
You might like
-
Joseph Mallord William Turner Copy of Richard Wilson’s ‘Landscape with Bathers, Cattle and Ruin’
1796–7 -
Joseph Mallord William Turner Mars and Venus, after Guercino
1802 -
Joseph Mallord William Turner St Roch Interceding for Victims of the Plague, after Peter Paul Rubens
1802 -
Joseph Mallord William Turner Concert-champêtre, after Giorgione/Titian
1802 -
Joseph Mallord William Turner The Good Samaritan, after a Rembrandt Follower
1802 -
Joseph Mallord William Turner The Adoration of the Infant Jesus, after Lorenzo Lotto
1802 -
Joseph Mallord William Turner Commentary on Domenichino’s ‘Combat of Hercules and Achelous’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Combat of Hercules and Achelous, after Domenichino
1802 -
Joseph Mallord William Turner The Vision of St Bruno, after Pier Francesco Mola
1802 -
Joseph Mallord William Turner Crag and Village
1802 -
Joseph Mallord William Turner The Devil’s Bridge and Gorge of the River Reuss
1802 -
Joseph Mallord William Turner Apollo and Python
1802–11 -
Joseph Mallord William Turner A Landscape with Oxen Drawing a Plough, Perhaps near Hanwell or Egham
c.1808–11 -
Joseph Mallord William Turner Various Sketches including a Landscape, Oxen Ploughing, and Figures
1819 -
Heneage Finch, Fourth Earl of Aylesford Hercules in the Cellar. Caricature
date not known
