With the page turned vertically, the following list is written down the left-hand side:
Bonneville Printed
Aesacus }v
Isleworth } 13
Inverary }
C Turner
Say’s Peacock
Glenco Lupton
Deluge
Kingston
Glacus Say
Apuleia. Ditto
[?Dumbarton ...]
[?Woman ...]
Salthill C. Turner
East Gate [...]
Rls Bridge Lupton
Knights Pic
Snow {Daw
Devil Bridge {
Church
Moon
Putney doubtful
1 This comprises ten published and eleven unpublished subjects from the later stages of Turner’s
Liber Studiorum landscape engravings series, with three bracketed for part ‘13’, which was issued with part 14 as the last of the series in January 1819 (Rawlinson/Finberg nos.62–71):
2Bonneville Printed [Rawlinson/Finberg no.64] | Aesacus [66] | Isleworth 13 [63] | Inverary | C Turner [65] | Say’s Peacock [68] | Glenco Lupton [69] | Deluge [88] | Kingston [87] | Glacus Say [73] | Apuleia. Ditto [72] | [?Dumbarton ...] [75] | [?Woman ...] [71] | Salthill C. Turner [74] | East Gate [...] [67] | Rls Bridge Lupton [62] | Knights Pic [77] | Snow Daw [76] | Devil Bridge [78] | Church [70] | Moon [85 or 86] | Putney doubtful [89]
This list is placed in its wider context in the present author’s overall introduction to the
Liber Studiorum designs in watercolour and other media (c.1806–24) elsewhere in the present catalogue.
3 The dating here follows Gillian Forrester’s analysis of its mixture of published and unpublished subjects.
4There are also notes and calculations to the right, descending vertically relative to the list (and inverted relative to the foliation:
[...] 12000 [...] 1 [...] | 12000
20 |______
600
1100 20 2200
110
Matthew Imms
September 2013
