Engraved:
By J.C. Armytage in 1833, published in 1834.
In this watercolour, Turner depicts a group of figures in a boat on the river Seine in northern France. In just a few strokes of light-coloured gouache Turner evokes Jumièges Abbey, gleaming dramatically against the surrounding dark sky and the dark vegetation at right. The ships indicated in the background at far left and the smooth water create a sense of stillness, which is threatened by the dark tones and sweeping cloud shapes of the brooding sky. Waves seem to have picked up in the lower left foreground and the boat and its passengers seem precarious. However, there is a hint of a rainbow across the sky, suggesting the storm has passed. A church tower is visible beyond the trees at far right.
Art historians have proposed that the watercolour was based on a sketch (Tate
D23815; Turner Bequest CCLIII 59a)
1 from Turner’s
Tancarville and Lillebonne sketchbook, believed to date from 1829, although this sketch in fact shows a differing scene of figures in the foreground aboard a steamship with the other side of abbey in the distance. Art historian Ian Warrell states that this southern viewpoint of Jumièges has no direct counterpart in the sketchbooks, as most of Turner’s views of Jumièges show it from the north, or west, and the viewpoint may arise from a sketch (Tate
D24018; Turner Bequest CCLIV 69a) in Turner’s
Seine and Paris sketchbook of 1832.
2An engraving was made of this watercolour by J.C. Armytage in 1833 as
Jumeges (sic; Tate impression
T05602) for the volume
Wanderings by the Seine of 1834
3 (titled ‘Jumieges’ in the ‘List of Engravings’). The figures and boat at right are depicted with much greater clarity in the engraving.
