In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite and watercolour on paper
- Dimensions
- Support: 675 x 1010 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D17086
Turner Bequest CXCV 116
Catalogue entry
Explore
- nature(46,527)
- natural phenomena(3,348)
- shadow(1,347)
- natural phenomena(3,348)
- symbols and personifications(7,289)
- inscriptions(6,794)
- notes and diagrams(887)
- inscriptions(6,794)
- emotions, concepts and ideas(16,945)
- formal qualities(12,949)
- diagrammatic(803)
- perspective(222)
- formal qualities(12,949)
You might like
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Joseph Mallord William Turner Lecture Diagram 62: Various Forms with Shadows
c.1810 -
Joseph Mallord William Turner Lecture Diagram 69: Stone Recess with Shadows
c.1810 -
Joseph Mallord William Turner Lecture Diagram 64: Various Forms with Shadows
c.1810 -
Joseph Mallord William Turner Lecture Diagram 67/68: Stone Recess with Shadows
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Method for a Cube
c.1818–28 -
Joseph Mallord William Turner Lecture Diagram: Perspective Method for a Cube
c.1816–28 -
Joseph Mallord William Turner Lecture Diagram 63: Various Forms with Shadows
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Perspective Method for a Cube
c.1816–28 -
Joseph Mallord William Turner Lecture Diagram: Two Methods for a Cube
c.1818–28 -
Joseph Mallord William Turner Lecture Diagram 33: Perspective Method for a Cube (after Jacopo Vignola)
c.1810 -
Joseph Mallord William Turner Lecture Diagram 34: Perspective Method for a Cube (after Andrea Pozzo)
c.1810 -
Joseph Mallord William Turner Lecture Diagram 29: Perspective Method for a Cube (after Guidobaldo del Monte)
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Anamorphic Perspective
c.1817–28 -
Joseph Mallord William Turner Lecture Diagram 70: A Ruined Amphitheatre
c.1810 -
Joseph Mallord William Turner Lecture Diagram 32: Perspective Method for a Cube (after Pietro Accolti)
c.1810