In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite and watercolour on paper
- Dimensions
- Support: 671 x 1004 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D17098
Turner Bequest CXCV 127
Catalogue entry
Explore
- architecture(41,338)
- formal qualities(12,931)
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- diagrammatic(802)
- perspective(217)
- inscriptions(6,720)
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- notes and diagrams(887)
You might like
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Joseph Mallord William Turner Lecture Diagram 73: Perspective Construction of an Ionic Capital
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Perspective Construction of a Corinthian Capital
c.1822–8 -
Joseph Mallord William Turner Lecture Diagram 43: Perspective Construction of a Tuscan Pedestal
c.1810 -
Joseph Mallord William Turner Lecture Diagram 54: Perspective Construction of a Corinthian Capital (after Thomas Malton Senior)
c.1810 -
Joseph Mallord William Turner Tracing of a Perspective Construction of an Ionic Capital
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Ionic Capital in Perspective
c.1810 -
Joseph Mallord William Turner Lecture Diagram 52: Perspective Constructions of an Ionic Capital (after Thomas Malton Senior and Jacques Androuet du Cerceau)
c.1810 -
Joseph Mallord William Turner Lecture Diagram 55: Perspective Construction of a Tuscan Entablature
c.1810 -
Joseph Mallord William Turner Lecture Diagram 41: Perspective Construction of a Tuscan Column
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Anamorphic Perspective
c.1817–28 -
Joseph Mallord William Turner Lecture Diagram 40: Tuscan Column in Perspective
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Perspective Method for a Cube
c.1816–28 -
Joseph Mallord William Turner Lecture Diagram 42: Perspective Construction of a Tuscan Entablature
c.1810 -
Joseph Mallord William Turner Lecture Diagram 72: An Ionic Capital (after Thomas Malton Senior)
c.1810 -
Joseph Mallord William Turner Lecture Diagram: Anamorphic Perspective
c.1817–28