Engraved:
By Thomas Jeavons in 1833, published in 1834.
In this watercolour, Turner presents Lillebonne castle, in northern France, perched on a hill, nestled between higher, rolling hills, with the river Seine in the background. The tower of the Church of Notre-Dame at Lillebonne is depicted in white gouache at lower right. Turner employs contrasting colours, and light and shade, to give shape to the landscape. The forms of the castle buildings are conveyed in warm tones of terracotta and pink, contrasting against the greens and blues of the landscape. In the lower left corner, figures and baskets for picking fruit trail in the sunlight conveyed by bright warm tones of yellow and orange, whilst above them, shadow and a trail of vegetation is indicated in opposing cool dark green shades, with a further area in contrasting light beyond this to the left. A trail of buildings picked out in bright white gouache, below the castle, echoes the trail of figures. Further lines of darker buildings cross the landscape, down the opposite side of the castle hill and at lower centre above the figures. With the slightest touches of white gouache, Turner indicates the sails of boats on the distant water.
The watercolour is based on sketches (Tate
D23754,
D23770,
1 D23772,
D23778, and for the view of the distance,
D237780;
2 respectively Turner Bequest CCLIII 29, 37, 38, 41, 42) from Turner’s
Tancarville and Lillebonne sketchbook, believed to date from 1829.
An engraving was made from the watercolour by Thomas Jeavons in 1833 as
Lillebonne (titled ‘Lillebonne, Chateau and Tower’ in the List of Engravings, Tate impressions
T04702,
T05599 and
T06228), for the volume
Wanderings by the Seine of 1834.
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