Joseph Mallord William Turner

Llandaff: The West Front of the Cathedral


Image released under

License this image

In Tate Britain

Prints and Drawings Room

View by appointment
Joseph Mallord William Turner 1775–1851
Graphite and watercolour on paper
Support: 356 × 255 mm
Accepted by the nation as part of the Turner Bequest 1856
Turner Bequest XXVIII A

Display caption

Turner shows several figures in a graveyard. Two girls are dancing on a tombstone to a fiddler's tune. Turner's use of such a motif in this context is a telling allusion to Time and the contrast between Life and Death. Through it, Turner links himself to a tradition of graveyard meditations which embraces Edward Young and Thomas Gray (no.48). With Turner, as with Blake (see no.49), the way this tradition could inform the Romantic sensibility and even touch life itself can be seen in both artist's associations with Westminster Abbey. In a 1793 watercolour of the interior of the Abbey, Turner's signature is put as an inscription on a floor slab as though it is his own tombstone.

Gallery label, August 2004

Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.

Technique and condition

Catalogue entry

You might like

In the shop