In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite and watercolour on paper
- Dimensions
- Support: 253 x 286 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27671
Turner Bequest CCLXXX 154
Catalogue entry
Explore
- architecture(41,338)
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- features(8,915)
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- stair / step(521)
- military(6,815)
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- castle(5,618)
- periods and styles(5,198)
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- medieval(2,331)
- residential(5,541)
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- hotel(335)
- townscapes / man-made features(21,710)
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- street(1,641)
- vine(41)
- vessels and containers(2,162)
- boy(1,176)
- group(4,270)
- Switzerland(1,060)
- Alps(837)
- transport: land(2,944)
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- carriage(292)
- inscriptions(6,720)
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- artist’s notes(1,557)
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After Joseph Mallord William Turner Martigny
1830 -
After Joseph Mallord William Turner Martigny
1830 -
Joseph Mallord William Turner The Lake of Geneva, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Martigny
after c.1830 -
Joseph Mallord William Turner Study for Detail of ‘Amalfi’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Forum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘The Forum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Marengo, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Temples of Paestum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Galileo’s Villa’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Bay of Naples, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Amalfi, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Florence, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Campagna of Rome, for Rogers’s ‘Italy’
c.1826–7