In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Part of
- Vatican Fragments Sketchbook
- Medium
- Graphite on paper
- Dimensions
- Support: 161 × 101 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D15106
Turner Bequest CLXXX 1 a
Catalogue entry
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- artist’s notes(1,556)
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Joseph Mallord William Turner Sketches and Notes, Possibly of Paintings
1830 -
Joseph Mallord William Turner Sketches and Notes Relating to Paintings in the Galleria Borghese, Rome
1819 -
Joseph Mallord William Turner Sketches and Notes Relating to Paintings in the Galleria Borghese and the Palazzo Pallavicini-Rospigliosi, Rome
1819 -
Joseph Mallord William Turner Notes by Turner ‘Loreto to Recanati’, and two slight landscape sketches
1819 -
Joseph Mallord William Turner Sketch of Titian’s ‘Sacred and Profane Love’ in the Galleria Borghese, Rome, and Notes on Other Paintings
1819 -
Joseph Mallord William Turner Inscriptions by Turner; Including ?Notes and Sketches on Paintings
1820 -
Joseph Mallord William Turner Notes and Sketches relating to the Farnese Gallery, Palazzo Farnese, Rome
1819 -
Joseph Mallord William Turner Notes and Sketch Relating to Claude Lorrain’s ‘Pastoral Landscape with Castel Gandolfo’ in the Palazzo Barberini, Rome
1819 -
Joseph Mallord William Turner Various Sketches by Turner including a Landscape and Figure Studies; and Notes by James Hakewill on Travelling in Italy
1819 -
Joseph Mallord William Turner Sketches of Two Women and a Building; and Notes by Turner on the Palazzo Torlonia-Bolognetti, Rome
1819 -
Joseph Mallord William Turner Landscape sketches of Nemi, and Lake Nemi from Ariccia
1819 -
Joseph Mallord William Turner Copies of Italian Paintings; and Notes by James Hakewill on Florence and Parma
c.1819 -
Joseph Mallord William Turner Sketches of Three Paintings by Claude in the Palazzo Pallavicini-Rospigliosi, Rome
1819