In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Part of
- Hints River Sketchbook
- Medium
- Graphite on paper
- Dimensions
- Support: 88 × 114 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D10629
Turner Bequest CXLI 26 a
Catalogue entry
Explore
- objects(23,378)
- group(4,270)
- inscriptions(6,720)
-
- artist’s notes(1,557)
You might like
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Joseph Mallord William Turner Partial Copy of ‘The Enchanted Isle’ by Antoine Watteau; Two Composition Studies for ‘Rome from the Vatican’
c.1815–20 -
Joseph Mallord William Turner Copy of the “Seaport with the Villa Medici” by Claude Lorrain
1819 -
Joseph Mallord William Turner A Group of Figures
c.1817–18 -
Joseph Mallord William Turner A Sketch Copy of Rubens’s Portrait of ?Susanna Lunden (‘Le Chapeau de Paille’); a Stooping Man
c.1823–4 -
Joseph Mallord William Turner Copy of Nicolas Poussin’s ‘Landscape with a Man Killed by a Snake’
1799 -
Joseph Mallord William Turner Street Scene - ?Glovinery, Burgeval [Turner]; Also Copy of a Picture - ?Rembrandt
1825 -
Joseph Mallord William Turner Copy of Tintoretto’s ‘St Roch Comforted by an Angel in Prison’ in the Church of San Rocco, Venice
1819 -
Joseph Mallord William Turner Copy of ‘Mercury and the Three Graces’ by Tintoretto from the Palazzo Ducale; and Sketches of a Plant and Figure
1819 -
Joseph Mallord William Turner Figures at ?Le Pont-de-Beauvoisin
1819 -
Joseph Mallord William Turner Copies by Turner of Venetian Paintings, including Works by Palma, Tintoretto and Veronese; and Notes by James Hakewill on Venice
1819 -
Joseph Mallord William Turner Figures, Boats and Lobster Cages
c.1830–41 -
Joseph Mallord William Turner Copy of Tintoretto’s ‘The Crucifixion’ in the Scuola Grande di San Rocco, Venice
1819 -
Joseph Mallord William Turner Copy of a Sale-Notice (Inscription by Turner)
1810 -
Joseph Mallord William Turner Figure Studies Including Women in Traditional Italian Costume
1819