Joseph Mallord William Turner

Sketches of Four Paintings by Claude in the Palazzo Doria-Pamphili, Rome

1819

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

License this image

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Joseph Mallord William Turner 1775–1851
Part of
Remarks (Italy) Sketchbook
Medium
Dimensions
Support: 115 x 94 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D16849
Turner Bequest CXCIII 80 a

Catalogue entry

During his stay in Rome Turner made a series of copies of paintings by the artist he most admired, Claude Lorrain (circa 1604/5–1682). This page contains four sketches of pictures found in the Palazzo Doria-Pamphili (now the Galleria Doria-Pamphili) on the Via del Corso.1 The studies represent, from top to bottom:
a.
The uppermost study depicts Landscape with Dancing Figures (also traditionally known as The Mill or The Marriage of Isaac and Rebecca) circa 1648–9 (Galleria Doria-Pamphili).2 Turner has labelled the sketch ‘Molina’, the Italian word for mill. He may already have been familiar with a second version of this painting, Landscape with the Marriage of Isaac and Rebecca 1648 (National Gallery, London), which until 1823 was owned by London-based merchant John Julius Angerstein.3
b.
In the middle is a copy of View of Delphi with a Procession circa 1648–50 (Galleria Doria-Pamphili).4
c.
Bottom left represents Landscape with Apollo and Mercury 1645 (Galleria Doria-Pamphili).5 Turner has annotated the sketch ‘Blue’ to indicate the prominent vibrancy of the cloak of the foreground figure.
d.
Bottom right represents Landscape with Cephalus and Procris reunited by Diana 1645–6 (Galleria Doria-Pamphili).6 Turner has annotated the sketch ‘Dorio’ top right, and with colour notes ‘Bl’, ‘Blue’ and ‘Yelwo’ at the bottom.
Turner made further studies of paintings by Claude in the Barberini, Sciarra and Pallavicini collections, see folios 81 and 82 (D16848, D16850; Turner Bequest CXCIII 80 and 81), as well as in as well as in the Uffizi, Florence (see Rome and Florence sketchbook, Tate D16585; Turner Bequest CXCI 60). Cecilia Powell has discussed how his division of pages in the Remarks (Italy) sketchbook resembles that of his earlier copies of Claude’s works in the Fonthill sketchbook, 1804 (see Tate D41265; Turner Bequest XLVII 19a).7

Nicola Moorby
March 2011

1
First fully identified by Ziff 1965, p.62.
2
Reproduced in Warrell 2002, p.110, ill.48.
3
Reproduced in Powell 1987, p.168, pl.160.
4
Reproduced in colour in Warrell 2002, p.110, ill.49.
5
Reproduced in colour in ibid., p.112, ill.50.
6
Reproduced in ibid., p.113, ill.52.
7
Powell 1984, p.160.

Read full Catalogue entry

Explore

You might like

Joseph Mallord William Turner, ‘Sketches of Three Paintings by Claude in the Palazzo Pallavicini-Rospigliosi, Rome’ 1819

Joseph Mallord William Turner Sketches of Three Paintings by Claude in the Palazzo Pallavicini-Rospigliosi, Rome

1819
View by appointment D16850
Joseph Mallord William Turner, ‘Sketches of Two Paintings by Claude from the Barberini and Sciarra Collections, Rome’ 1819

Joseph Mallord William Turner Sketches of Two Paintings by Claude from the Barberini and Sciarra Collections, Rome

1819
View by appointment D16848
Joseph Mallord William Turner, ‘Five Sketches from Paintings by Claude Lorrain’ ?1804

Joseph Mallord William Turner Five Sketches from Paintings by Claude Lorrain

?1804
View by appointment D41265
Joseph Mallord William Turner, ‘Copies of Paintings by Veronese in the Sala del Collegio of the Palazzo Ducale, Venice’ 1819

Joseph Mallord William Turner Copies of Paintings by Veronese in the Sala del Collegio of the Palazzo Ducale, Venice

1819
View by appointment D13913
Joseph Mallord William Turner, ‘Sketches and Notes Relating to Paintings in the Galleria Borghese, Rome’ 1819

Joseph Mallord William Turner Sketches and Notes Relating to Paintings in the Galleria Borghese, Rome

1819
View by appointment D16765
Joseph Mallord William Turner, ‘Notes and Sketch Relating to Claude Lorrain’s ‘Pastoral Landscape with Castel Gandolfo’ in the Palazzo Barberini, Rome’ 1819

Joseph Mallord William Turner Notes and Sketch Relating to Claude Lorrain’s ‘Pastoral Landscape with Castel Gandolfo’ in the Palazzo Barberini, Rome

1819
View by appointment D16870
Joseph Mallord William Turner, ‘Studies from Claude in the Louvre’ 1821

Joseph Mallord William Turner Studies from Claude in the Louvre

1821
D24564
Joseph Mallord William Turner, ‘Part of a View of Auxerre, France, from the East, with the Cathedral; and Notes on Claude Lorrain’s ‘Pastoral Landscape with Castel Gandolfo’ in the Palazzo Barberini, Rome’ 1819–20

Joseph Mallord William Turner Part of a View of Auxerre, France, from the East, with the Cathedral; and Notes on Claude Lorrain’s ‘Pastoral Landscape with Castel Gandolfo’ in the Palazzo Barberini, Rome

1819–20
View by appointment D16868
Joseph Mallord William Turner, ‘Sketches and Notes Relating to Paintings in the Galleria Borghese and the Palazzo Pallavicini-Rospigliosi, Rome’ 1819

Joseph Mallord William Turner Sketches and Notes Relating to Paintings in the Galleria Borghese and the Palazzo Pallavicini-Rospigliosi, Rome

1819
View by appointment D16767
Joseph Mallord William Turner, ‘Notes on Paintings in the Palazzo Corsini, Rome; a View of Nemi; and Two Landscape Sketches’ 1819

Joseph Mallord William Turner Notes on Paintings in the Palazzo Corsini, Rome; a View of Nemi; and Two Landscape Sketches

1819
View by appointment D15106
Joseph Mallord William Turner, ‘Inscription Relating to Titian’s ‘Venus Blindfolding Cupid’ (“The Graces”), in the Galleria Borghese, Rome; and a Study of Another Painting’ 1819

Joseph Mallord William Turner Inscription Relating to Titian’s ‘Venus Blindfolding Cupid’ (“The Graces”), in the Galleria Borghese, Rome; and a Study of Another Painting

1819
View by appointment D16771
Joseph Mallord William Turner, ‘Studies of Sculptural Fragments from the Palazzo Nuovo and the Palazzo dei Conservatori in the Capitoline Museums, Rome’ 1819

Joseph Mallord William Turner Studies of Sculptural Fragments from the Palazzo Nuovo and the Palazzo dei Conservatori in the Capitoline Museums, Rome

1819
View by appointment D15217
Joseph Mallord William Turner, ‘Studies Made in the Louvre: Two Composition Studies Based on Claude; Figure Studies’ 1821

Joseph Mallord William Turner Studies Made in the Louvre: Two Composition Studies Based on Claude; Figure Studies

1821
D24536
Joseph Mallord William Turner, ‘Copies of Paintings in Venice by Tintoretto and Titian’ 1819

Joseph Mallord William Turner Copies of Paintings in Venice by Tintoretto and Titian

1819
View by appointment D13902
Joseph Mallord William Turner, ‘Copies by Turner of Venetian Paintings, including Works by Palma, Tintoretto and Veronese; and Notes by James Hakewill on Venice’ 1819

Joseph Mallord William Turner Copies by Turner of Venetian Paintings, including Works by Palma, Tintoretto and Veronese; and Notes by James Hakewill on Venice

1819
View by appointment D13905