In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Watercolour on paper
- Dimensions
- Support: 268 x 362 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27533
Turner Bequest CCLXXX 16
Catalogue entry
Explore
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Joseph Mallord William Turner An Old Oak, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Ship-building (An Old Oak Dead), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner An Old Manor-House, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘An Old Manor-House’, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘The Landing of Columbus’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Loch Lomond, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Village-Fair, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Venice (The Rialto - Moonlight), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘The Landing of Columbus’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘The Vision’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Tornaro, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Greenwich Hospital, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Keswick Lake, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Alps (The Alps at Daybreak), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Captivity, for Rogers’s ‘Poems’
c.1830–2