In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Gouache and watercolour on paper
- Dimensions
- Support: 241 × 278 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27702
Turner Bequest CCLXXX 185
Catalogue entry
Explore
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You might like
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Joseph Mallord William Turner Captivity, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Garden, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Leaving Home, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Boy of Egremond, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner St Pierre’s Cottage, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Bolton Abbey, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Gipsy, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Tornaro, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Landing of Columbus, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Keswick Lake, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘The Landing of Columbus’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Village-Fair, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘Captivity’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Evening (Datur Hora Quieti), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Alps (The Alps at Daybreak), for Rogers’s ‘Poems’
c.1830–2