In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Watercolour on paper
- Dimensions
- Support: 238 × 306 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27695
Turner Bequest CCLXXX 178
Catalogue entry
Explore
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- ruins(3,714)
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Joseph Mallord William Turner Bolton Abbey, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Valombrè, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Evening (Datur Hora Quieti), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Captivity, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Leaving Home, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Gipsy, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Landing of Columbus, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Greenwich Hospital, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Garden, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Going to School, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘Columbus Setting Sail’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner An Old Manor-House, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Traitor’s Gate, Tower of London, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Village-Fair, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘Captivity’, Rogers’s ‘Poems’
c.1830–2