In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Watercolour on paper
- Dimensions
- Support: 242 × 308 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27716
Turner Bequest CCLXXX 199
Display caption
The view depicted here has so far not been identified, and may well be fanciful, for the subject is really concerned with the mood associated with a specific time of day. Turner's title invokes the early evening when the horses are liberated from the plough and the shadows begin to lengthen.
Gallery label, September 1995
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Catalogue entry
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Joseph Mallord William Turner Study for ‘Evening (Datur Hora Quieti)’ , Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘Venice (The Rialto - Moonlight)’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Leaving Home, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Tornaro, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Gipsy, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Greenwich Hospital, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Traitor’s Gate, Tower of London, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Boy of Egremond, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Bolton Abbey, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner St. Herbert’s Chapel, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Keswick Lake, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Valombrè, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Venice (The Rialto - Moonlight), for Rogers’s ‘Poems’
c.1830–2 -
After Joseph Mallord William Turner Datur hora quieti
1834 -
After Joseph Mallord William Turner Datur hora quieti
1834
