
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Watercolour on paper
- Dimensions
- Support: 188 × 172 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27607
Turner Bequest CCLXXX 90
Catalogue entry
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Joseph Mallord William Turner Study for ‘Captivity’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘A Garden’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘Venice (The Rialto - Moonlight)’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Garden, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Village. Evening, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Leaving Home, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Tornaro, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner An Old Oak, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner St. Herbert’s Chapel, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Keswick Lake, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Landing of Columbus, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Venice (The Rialto - Moonlight), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Going to School, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Evening (Datur Hora Quieti), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘The Vision’, Rogers’s ‘Poems’
c.1830–2