In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Gouache, graphite and watercolour on paper
- Dimensions
- Support: 243 × 307 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27686
Turner Bequest CCLXXX 169
Catalogue entry
Explore
- architecture(41,336)
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- bridges and viaducts(4,129)
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- bridge(3,995)
- industrial(2,087)
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- watermill(245)
- religious(6,855)
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- church(4,472)
- townscapes / man-made features(21,710)
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- townscape, distant(8,119)
- river(7,971)
- actions: expressive(2,655)
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- leaving(20)
- walking(613)
- man(10,497)
You might like
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Joseph Mallord William Turner A Village. Evening, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Cortes and Pizarro, for Rogers’s ‘Poems’
c.1830–2 -
After Joseph Mallord William Turner Leaving Home
1834 -
Joseph Mallord William Turner A Garden, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner A Village-Fair, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘Venice (The Rialto - Moonlight)’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Landing of Columbus, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner An Old Oak, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Greenwich Hospital, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Bolton Abbey, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner St Julienne’s Chapel, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Evening (Datur Hora Quieti), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Boy of Egremond, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Venice (The Rialto - Moonlight), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Traitor’s Gate, Tower of London, for Rogers’s ‘Poems’
c.1830–2