In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite and watercolour on paper
- Dimensions
- Support: 168 × 239 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27618
Turner Bequest CCLXXX 101
Catalogue entry
Explore
- architecture(41,309)
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- townscapes / man-made features(21,653)
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- townscape(3,307)
- Italy(4,478)
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Joseph Mallord William Turner Amalfi, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Tivoli, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Forum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Bay of Naples, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘The Forum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner St Maurice, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Marengo, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Tivoli’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Temples of Paestum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study of the Funeral Procession for ‘The Forum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Martigny, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘The Chapel of William Tell’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Lake of Geneva, for Rogers’s ‘Italy’
c.1826–7