Joseph Mallord William Turner

Aosta, for Rogers’s ‘Italy’

c.1826

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Joseph Mallord William Turner 1775–1851
Medium
Graphite and watercolour on paper
Dimensions
Support: 239 x 302 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D27662
Turner Bequest CCLXXX 145

Display caption

In 1826 the poet Samuel Rogers commissioned Turner to make the twenty-five watercolours which were engraved as the head- or tail-pieces of the 1830 edition of his poem 'Italy'. In these vignettes Turner balances a desire to illustrate the modern Italy he recalled from his visit of 1819 with the poetry of ancient Italy which overflowed from its art and ruined monuments. The Turner Bequest contains most of the original watercolours as well as a number of related, but unpublished, designs, such as the view of the Ponte Vecchio. Turner completed the project with the imaginary view of an Italian lake, made between breakfast and lunchtime at Petworth House in 1827.

Gallery label, August 2004

Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.

Catalogue entry

You might like