Not on display
Art historian Andrew Wilton notes that Turner made this and other rapid sketches of Tancarville castle in this sketchbook.3 Wilton also states4 that Turner’s later watercolour, Tancarville, with the Town of Quillebeuf in the Distance (‘Back View’), c.1832 (Tate D24695; Turner Bequest CCLIX 130),5 which was engraved for Turner’s Annual Tour – Wanderings by the Seine, 1834 (Tate impression: T04701), was based on this sketch. However, the viewpoint in the watercolour appears to be from the opposite direction, depicting the front (from the east) rather than the back (from the west) of the castle, and therefore rather different.
In the sketch, Turner picks out the shapes of the castle buildings in a few strokes with emphasis on the two pointed roofs of the towers against the cliffs behind and to the left, the latter cliffs highlighted by a jagged line. The position and shape of the tall structure to right of the towers correspond to the castle’s Coquesart Tower. (For further information on Tancarville castle see under folio 46 recto; D23788.)
Art historian Ian Warrell6 agrees that this drawing corresponds to the front view of the castle, as he states that it (and folio 47 verso; D23791) was used as the preliminary sketch for Turner’s watercolour, Tancarville from the East (‘Front View’), c.1832 (Tate D24693; Turner Bequest CCLIX 128),7 which was also engraved for the 1834 Annual Tour (Tate impressions: T05597, T06226).
Finberg 1909, II, p.770.
?Ian Warrell, ‘Turner on the Seine: Topographical Index’, c.1999, Prints and Drawings Room, Tate Britain (printout in copy of Warrell 1999), p.5.
Wilton1975, p.150 no.264.
Wilton 1979, p.413 under no.957.
Ibid., no.957, reproduced.
Warrell 1999, p.273 no.120.
Wilton 1979, p.412 no.956, reproduced.