In Tate Britain
- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Oil paint on canvas
- Dimensions
- Support: 899 x 1203 mm
frame: 1297 x 1607 x 185 mm - Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- N00554
Display caption
The Departure of the Fleet is one of four paintings exhibited at the Royal Academy in 1850. A visitor to Turner’s studio stated that the artist ‘went from one to the other, first painting upon one, touching on the next and so on, in rotation’.
The artist finished the canvas on the walls of the RA, and curators and conservators have tried to determine which areas Turner might have adjusted at the final moment. This question is made difficult by changes in surface appearance over time. Could the three areas of red paint highlighted in this illustration have been added on Varnishing Day?
Gallery label, February 2010
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Catalogue entry
432. [N00554] The Departure of the Fleet Exh. 1850
THE TATE GALLERY, LONDON (554)
Canvas, 35 3/8 × 47 3/8 (89·5 × 120·5)
Coll. Turner Bequest 1856 (31, ‘The departure of the Fleet’ 4'0" × 3'0"); transferred to the Tate Gallery 1905.
Exh. R.A. 1850 (482); Arts Council tour 1952 (24).
Lit. Thornbury 1862, i, p. 349; 1877, p. 467; Hamerton 1879, pp. 297–8; Bell 1901, p. 160 no. 268; Armstrong 1902, p. 233; MacColl 1920, p. 26; Davies 1946, p. 186; Finberg 1961, pp. 427, 511 no. 589; Rothenstein and Butlin 1964, p. 73; Ziff 1964, pp. 24–7, pl. 3; Lindsay 19662, p. 52; Gage 1969, pp. 98, 187, 244 n. 105; Reynolds 1969, pp. 204–5; Wilton 1979, p. 223.
Exhibited in 1850 with the lines:
‘The orient moon shone on the departing fleet,
Nemesis invoked, the priest held the poisoned cup. ’
—MS. Fallacies of Hope.
Dido and her attendants, on the left, watch the departure of the fleet. For contemporary press criticisms of this picture see No. 429 [N00553].
Published in:
Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984
Explore
- architecture(42,202)
- townscapes / man-made features(22,227)
- townscape(3,353)
- townscapes / man-made features(22,227)
- nature(46,444)
- seascapes and coasts(8,325)
- harbour(1,528)
- water: inland(11,663)
- trees(3,331)
- tree(2,533)
- seascapes and coasts(8,325)
- people(35,699)
- places(42,425)
- cities, towns, villages (non-UK)(13,479)
- Carthage(14)
- countries and continents(17,837)
- Tunisia(48)
- historical: imagined views(123)
- Carthage(21)
- cities, towns, villages (non-UK)(13,479)
- religion and belief(8,382)
- classical myths: gods and heroes(614)
- Dido(16)
- classical myths: events, themes(87)
- Trojan War(14)
- classical myths: gods and heroes(614)
- society(35,345)
- transport: water(8,429)
- ship - non-specific(327)
- transport: water(8,429)
You might like
Joseph Mallord William Turner Regulus
1828, reworked 1837
Joseph Mallord William Turner Mercury Sent to Admonish Aeneas
exhibited 1850
Joseph Mallord William Turner Phryne Going to the Public Baths as Venus: Demosthenes Taunted by Aeschines
exhibited 1838
Joseph Mallord William Turner Heidelberg
c.1844–5
Joseph Mallord William Turner Bacchus and Ariadne
exhibited 1840
Joseph Mallord William Turner The Visit to the Tomb
exhibited 1850
Joseph Mallord William Turner The Disembarkation of Louis-Philippe at the Royal Clarence Yard, Gosport, 8 October 1844
c.1844–5
Joseph Mallord William Turner The Arrival of Louis-Philippe at the Royal Clarence Yard, Gosport, 8 October 1844
c.1844–5
Joseph Mallord William Turner Ancient Rome; Agrippina Landing with the Ashes of Germanicus
exhibited 1839
Joseph Mallord William Turner The Thames above Waterloo Bridge
c.1830–5
Joseph Mallord William Turner Story of Apollo and Daphne
exhibited 1837
After Joseph Mallord William Turner Ancient Carthage - The Embarcation of Regulus, engraved by D. Wilson
published 1838
Joseph Mallord William Turner The Golden Bough
exhibited 1834
After Joseph Mallord William Turner Regulus Leaving Carthage, engraved by S. Bradshaw
published 1859–61
Joseph Mallord William Turner Sketch for ‘East Cowes Castle, the Regatta Starting for Their Moorings’ No. 3
1827