In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Gouache, graphite and watercolour on paper
- Dimensions
- Support: 244 x 304 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27670
Turner Bequest CCLXXX 153
Catalogue entry
Explore
- architecture(41,339)
- animals: mammals(4,859)
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- dog - non-specific(1,046)
- pool(376)
- countries and continents(17,558)
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- Switzerland(1,060)
- Alps(837)
- Great St Bernard Pass(10)
- religious(410)
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- friar / monk(78)
You might like
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After Joseph Mallord William Turner Hospice of the Great St Bernard I
1830 -
After Joseph Mallord William Turner Hospice of the Great St Bernard I
1830 -
Joseph Mallord William Turner The Lake of Geneva, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner St Maurice, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Marengo, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘St Maurice’, Rogers’s ‘Italy’
c.1826–7 -
After Joseph Mallord William Turner Hospice of the Great St Bernard II (The Dead-House)
1830 -
After Joseph Mallord William Turner Hospice of the Great St Bernard II (The Dead-House)
1830 -
Joseph Mallord William Turner The Great St Bernard
after c.1830 -
Joseph Mallord William Turner Aosta, for Rogers’s ‘Italy’
c.1826 -
Joseph Mallord William Turner Temples of Paestum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Martigny, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Chapel of William Tell, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Florence, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7