Finberg later annotated his 1909
Inventory entry (‘Group of buildings. Probably at Venice’, in a large grouping of ‘Miscellaneous: black and white’ drawings on ‘White Paper’): ‘Cert[ai]n[l]y Venice’.
1Close inspection though the heavy staining and rubbing reveals a loosely rendered, almost child-like outline view looking north from the Bacino to the Molo waterfront, centred on the Piazzetta, perhaps from memory or as an ad hoc compositional study. The block on the left is the Libreria Sansoviniana, with the campanile of San Marco (St Mark’s) beyond. To the north-north-west at the centre is a slight indication of the Torre dell’Orologio on the north side of the Piazza; to the right is the south-west corner of the Basilica, with the Palazzo Ducale (Doge’s Palace) barely articulated on the right. There also seem to be rough parallel strokes to mark the two columns at the entrance to the Piazzetta.
This is among the most familiar views in Venice, and Turner made many more detailed drawings and watercolours of the vicinity, perhaps the best-known being a sunlit colour study from further out on the water in his 1819
Como and Venice sketchbook (Tate
D15258; Turner Bequest CLXXXI 7).
There is a similarly rough drawing from a little further east on the verso (
D34865). The sheet is here tentatively placed among the generally much more developed Venetian watercolours and drawings linked more securely to the 1840 tour.