This is a further sketch of the Roman bridge at Trier, most likely taken in the same sitting as the drawing on the opposite folio (Tate D28206; Turner Bequest CCLXXXVIII 20a). Turner has suggested a few boats in the foreground in swift curved strokes of the pencil.
For further depictions of Trier in this sketchbook see Tate D28186, D28203, D28244, D28246, D28249, D28250, D28256, D28258–D28260, D28263, D28264; Turner Bequest CCLXXXVIII 10a, 19, 42a, 43a, 45a, 46, 50, 51–52, 54a, 55). The city is also depicted in earlier sketchbooks associated with Turner’s 1824 tour of the region; see the Rivers Meuse and Moselle sketchbook (Tate D19725, D19726, D19728–D19730, D19732–D19743; Turner Bequest CCLXXXVIII 88a, 89, 90–91, 92–97a; the Huy and Dinant sketchbook (Tate D20091, D20111, D20115; Turner Bequest CCXVII 5, 17a, 21; the Trèves and Rhine sketchbook (Tate D20141, D20142, D20145, D20146, D20148, D20149–D20154; Turner Bequest CCXVIII 3, 4, 7, 8, 10, 11–16. See also two gouache and watercolour drawings of the city: one of the Porta Nigra (Tate D20230; Turner Bequest CCXX W) and the other of Trier from the west (Tate D24715; Turner Bequest CCLIX 150).
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