Joseph Mallord William Turner

The Sala a Croce Greca, in the Museo Pio-Clementino, the Vatican, Looking to the Staircase

1819

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

License this image

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Joseph Mallord William Turner 1775–1851
Part of
Vatican Fragments Sketchbook
Medium
Graphite on paper
Dimensions
Support: 101 x 161 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D15197
Turner Bequest CLXXX 47 a

Catalogue entry

During his 1819 stay in Rome, one of Turner’s most extensive sketching campaigns was the large number of pencil studies made from the sculpture collections of the Vatican Museums (for a general discussion, see the introduction to the sketchbook). As Finberg first identified, the subject of this sketch is a general view of the Sala a Croce Greca (Hall of the Greek Cross), the room which connects the lower floor of the Museo Pio-Clementino, via the Scala (Staircase) Simonetti to the upper galleries, and which looks very similar today.1 A contemporary description in John Chetwode Eustace’s, A Classical Tour Through Italy, first published in 1813, recorded that the room ‘supported by columns paved with ancient mosaic, furnished with statues and lined with basso relievos ... opens on a double staircase, raised on twenty-two pillars of red and white granite: its steps are marble, its balustrade bronze. The middle flight conducts down to the Vatican library: the other two lead to the Galleria de Candelabri’.2 Turner had made notes from the relevant passage in the Italian Guide Book sketchbook (see Tate D13948; Turner Bequest CLXXII 9a).
Turner’s sketch, representing the layout of the room rather than individual objects presented in isolation, is similar in manner to the plates illustrating the museums of Rome, Naples and Florence in James Hakewill’s Picturesque Tour of Italy (1818). In the preface to the prints, Hakewill claimed that the views, based upon his own 1817 drawings, had never previously appeared in any similar publication.3 Amongst the rooms depicted were several from the Vatican, including two variant representations of the Sala a Croce Greca, Museum of the Vatican. Sala a croce greca (whereabouts unknown),4and Rome. Museum of the Vatican, Sala a croce greca looking to the Rotondo (British School at Rome Library).5 The former of these depicts the same view looking towards the staircase as this sketch, although Turner’s viewpoint is further off-centre. A related drawing depicting a more focused view of the staircase can be found on folio 48 (D15196; Turner Bequest CLXXX 47). The view is also similar to a later illustration by P.M. Letarouilly (1795–1855), Sala della Croce Greca nel Museo Pio-Clementino, verso lo scalene, published in Le Vatican, 1882.6

Nicola Moorby
November 2009

1
See Giandomenico Spinola, Il Museo Pio-Clementino, vol.II, Vatican City 1999, fig.47, p.289.
2
John Chetwode Eustace, A Classical Tour Through Italy, London 1815, 3rd edition, vol.II, pp.61–2.
3
Quoted in Tony Cubberley and Luke Herrmann, Twilight of the Grand Tour: A Catalogue of the drawings by James Hakewill in the British School at Rome Library, Rome 1992, p.293.
4
James Hakewill, A Picturesque Tour of Italy, London 1818, pl.33.
5
Cubberley and Herrmann, no.5M.8, reproduced p.301; James Hakewill, A Picturesque Tour of Italy, London 1818, pl.34
6
Reproduced in Jörg Garms, Vedute di Roma Dal Medioevo all’ottocento: Atlante iconographico, topografico, architettorio, Naples 1995, vol.II, pl.1356, p.86.

Read full Catalogue entry

Explore

You might like

Joseph Mallord William Turner, ‘View of the Vestibolo Quadrato in the Vatican Museums, with the Belvedere Torso and the Sarcophagus of Scipio Barbatus’ 1819

Joseph Mallord William Turner View of the Vestibolo Quadrato in the Vatican Museums, with the Belvedere Torso and the Sarcophagus of Scipio Barbatus

1819
View by appointment D15174
Joseph Mallord William Turner, ‘The Staircase by the Sala a Croce Greca, in the Museo Pio-Clementino, the Vatican’ 1819

Joseph Mallord William Turner The Staircase by the Sala a Croce Greca, in the Museo Pio-Clementino, the Vatican

1819
View by appointment D15196
Joseph Mallord William Turner, ‘Study of a Sarcophagus in the Vatican Museums’ 1819

Joseph Mallord William Turner Study of a Sarcophagus in the Vatican Museums

1819
View by appointment D15131
Joseph Mallord William Turner, ‘Study of a Torso on a Pedestal Base Dedicated to Q. Plotius Romanus, in the Vatican Museums’ 1819

Joseph Mallord William Turner Study of a Torso on a Pedestal Base Dedicated to Q. Plotius Romanus, in the Vatican Museums

1819
View by appointment D15140
Joseph Mallord William Turner, ‘Study of Sculptural Fragment from the Vatican Museums’ 1819

Joseph Mallord William Turner Study of Sculptural Fragment from the Vatican Museums

1819
View by appointment D15134
Joseph Mallord William Turner, ‘Study of the Altar of Hercules from the Vatican Museums’ 1819

Joseph Mallord William Turner Study of the Altar of Hercules from the Vatican Museums

1819
View by appointment D15153
Joseph Mallord William Turner, ‘Studies of Sculptural Fragments from the Vatican Museums, Including the Ash Box of T. Bettvedius Vestalis’ 1819

Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including the Ash Box of T. Bettvedius Vestalis

1819
View by appointment D15139
Joseph Mallord William Turner, ‘Studies of Sculptural Fragments from the Vatican Museums, Including a Composite Capital and Part of a Fountain’ 1819

Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including a Composite Capital and Part of a Fountain

1819
View by appointment D15136
Joseph Mallord William Turner, ‘Studies of Sculptural Fragments from the Vatican Museums, Including a Pedestal and a Statue’ 1819

Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including a Pedestal and a Statue

1819
View by appointment D15138
Joseph Mallord William Turner, ‘Sketch of the Perspective of Raphael’s Loggia in the Vatican: Study for ‘Rome from the Vatican’’ 1819

Joseph Mallord William Turner Sketch of the Perspective of Raphael’s Loggia in the Vatican: Study for ‘Rome from the Vatican’

1819
View by appointment D14955
Joseph Mallord William Turner, ‘Studies of Sculptural Fragments from the Vatican Museums, Including an Ossuarium’ 1819

Joseph Mallord William Turner Studies of Sculptural Fragments from the Vatican Museums, Including an Ossuarium

1819
View by appointment D15146
Joseph Mallord William Turner, ‘Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Aedicule and Pediment, and the Grave Altar of Manlia Iucunda’ 1819

Joseph Mallord William Turner Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including an Aedicule and Pediment, and the Grave Altar of Manlia Iucunda

1819
View by appointment D15123
Joseph Mallord William Turner, ‘Part of the Sarcophagus of Scipio Barbatus from the Vatican Museums’ 1819

Joseph Mallord William Turner Part of the Sarcophagus of Scipio Barbatus from the Vatican Museums

1819
View by appointment D15231
Joseph Mallord William Turner, ‘Study of a Grave Altar in the Vatican Museums; also a ?Distant View of St Peter’s, Rome’ 1819

Joseph Mallord William Turner Study of a Grave Altar in the Vatican Museums; also a ?Distant View of St Peter’s, Rome

1819
View by appointment D15149
Joseph Mallord William Turner, ‘Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including a Detail of a Lion Devouring a Horse from a Sarcophagus, and Part of the Funerary Altar of Herennia Sophe’ 1819

Joseph Mallord William Turner Studies of Sculptural Fragments and Reliefs from the Vatican Museums, Including a Detail of a Lion Devouring a Horse from a Sarcophagus, and Part of the Funerary Altar of Herennia Sophe

1819
View by appointment D15118