Joseph Mallord William Turner

The So-Called Sedia del Diavolo, Rome

1819

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In Tate Britain

Prints and Drawings Room

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Artist
Joseph Mallord William Turner 1775–1851
Part of
Small Roman Colour Studies Sketchbook
Medium
Graphite and watercolour on paper
Dimensions
Support: 130 x 255 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D16462
Turner Bequest CXC 47

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Joseph Mallord William Turner, ‘The So-Called Sedia del Diavolo, Rome’ 1819

Joseph Mallord William Turner The So-Called Sedia del Diavolo, Rome

1819
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Joseph Mallord William Turner, ‘The So-Called Sedia del Diavolo, Rome’ 1819

Joseph Mallord William Turner The So-Called Sedia del Diavolo, Rome

1819
View by appointment
Joseph Mallord William Turner, ‘The So-Called Sedia del Diavolo, Rome’ 1819

Joseph Mallord William Turner The So-Called Sedia del Diavolo, Rome

1819
View by appointment
Joseph Mallord William Turner, ‘The So-Called Sedia del Diavolo, Rome’ 1819

Joseph Mallord William Turner The So-Called Sedia del Diavolo, Rome

1819
View by appointment
Joseph Mallord William Turner, ‘View of the Roman Campagna with the So-called Sedia del Diavolo and the Villa Chigi’ 1819

Joseph Mallord William Turner View of the Roman Campagna with the So-called Sedia del Diavolo and the Villa Chigi

1819
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Joseph Mallord William Turner, ‘Campagna of Rome, for Rogers’s ‘Italy’’ c.1826–7

Joseph Mallord William Turner Campagna of Rome, for Rogers’s ‘Italy’

c.1826–7
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Joseph Mallord William Turner, ‘Three Sketches of Classical Remains, ? Including the So-Called Villa of Cicero at Formia’ 1819

Joseph Mallord William Turner Three Sketches of Classical Remains, ? Including the So-Called Villa of Cicero at Formia

1819
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Joseph Mallord William Turner, ‘Two Sketches of the Head of Christ, Then Attributed to Michelangelo, in Sant’Agnese fuori le mura, Rome; the So-Called Sedia del Diavolo; and details from a Bas-Relief’ 1819

Joseph Mallord William Turner Two Sketches of the Head of Christ, Then Attributed to Michelangelo, in Sant’Agnese fuori le mura, Rome; the So-Called Sedia del Diavolo; and details from a Bas-Relief

1819
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Joseph Mallord William Turner, ‘The Tomb of Cecilia Metella on the Via Appia Antica, Rome’ 1819

Joseph Mallord William Turner The Tomb of Cecilia Metella on the Via Appia Antica, Rome

1819
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Joseph Mallord William Turner, ‘The So-Called Temple of Vesta, Tivoli’ c.1817–20

Joseph Mallord William Turner The So-Called Temple of Vesta, Tivoli

c.1817–20
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Joseph Mallord William Turner, ‘View of the Roman Campagna with the Ponte Nomentano and the Sedia del Diavolo’ 1819

Joseph Mallord William Turner View of the Roman Campagna with the Ponte Nomentano and the Sedia del Diavolo

1819
View by appointment
Joseph Mallord William Turner, ‘The So-Called Temple of Vesta, Tivoli’ 1819

Joseph Mallord William Turner The So-Called Temple of Vesta, Tivoli

1819
View by appointment
Joseph Mallord William Turner, ‘The So-Called Temple of Vesta, Tivoli’ 1819

Joseph Mallord William Turner The So-Called Temple of Vesta, Tivoli

1819
View by appointment
Joseph Mallord William Turner, ‘View from the So-Called Temple of Vesta, Tivoli’ 1819

Joseph Mallord William Turner View from the So-Called Temple of Vesta, Tivoli

1819
View by appointment
Joseph Mallord William Turner, ‘The So-Called Temple of Vesta, Tivoli’ 1819

Joseph Mallord William Turner The So-Called Temple of Vesta, Tivoli

1819
View by appointment