By the nineteenth century, exploration of the city’s environs had become as much part of the Roman experience as its architecture and monuments. Turner made a large number of studies of the landscape north of Rome, and many of the views within this sketchbook appear to relate to a single perambulation from Sant’Agnese fuori le mura to Ponte Sant’Angelo, by way of the ancient Ponte Molle, also known as the Ponte Milvio (for further information see the sketchbook introduction). The subject of this sketch is the view of the River Tiber looking south (or downstream) from a point on the present-day Lungotevere Flaminio. The distant towers and domes of the city can be seen across the horizon including, on the far right-hand side, the Castel Sant’Angelo. On the far left-hand side, is the small sixteenth chapel of Sant’Andrea in Via Flaminia, also known as Sant’Andrea del Vignola after its architect, Giacomo Barozzi da Vignola (1507–73). This church or
tempio, which has an elliptical dome over a square base was commissioned by Pope Julius II to celebrate his escape from imprisonment during the 1527 Sack of Rome. The building can also be seen in folios 50 and 51 (
D16471 and
D16473; Turner Bequest CXC 56 and 57).
Like many drawings within this sketchbook, the composition has been executed over a washed grey background. Turner has created areas of pale highlights by lifting or rubbing through to the white paper beneath, principally to delineate the course of the river and cloud formations within the sky.
