Not on display
- Alfred Wallis 1855–1942
- Oil paint on board
- Support: 434 × 482 mm
frame: 433 × 487 × 40 mm
- Presented by Catherine Gaskin Cornberg 2002
This painting depicts a number of boats lying on the flats at Mount’s Bay in Cornwall. Mount’s Bay is one of a number of places along the Cornish coast, including Falmouth and St Ives that Wallis painted on several occasions. As a fisherman in the 1870s and 1880s, Wallis was familiar with the geography and features of the area surrounding the bay such as the Lizard Light, Mousehole and, of course, St Michael’s Mount which Wallis represents by a cone with a flag on top. In another painting, Mount’s Bay with St Michael’s Mount, Wallis added a metal pole to mark the location of treacherous rocks, one of the many hazards that fisherman had to be aware of when sailing around the bay.
Wallis took up painting in the mid 1920s following the death of his wife, Susan Ward. His paintings, frequently on old scraps of paper and cardboard in house or ship’s paint, are often memories of his experiences as a fisherman, for example fishing boats, lighthouses and seascapes. The simplified form and shallow pictorial space in Boats at Rest in Mount’s Bay is typical of Wallis’s so-called naïve painting style. The unfinished areas of the board are also characteristic, Wallis explained: ‘I Thought it not necessary To paint it all around’ (Gale, p.39). Many artists were attracted by Wallis’s freedom from the received rules of painting. Ben Nicholson (1894-1982), Christopher Wood (1901-30) and Barbara Hepworth (1903-75) were amongst those artists living in St Ives who admired and collected his work. The former remarked: ‘I am more and more influenced by Alfred Wallis – not a bad master though – he and Picasso both mix their colours on box lids! I see him each day for a second, he is bright and cheery. I am surprised that no one likes Wallis’ painting. No one liked Van Gogh’s for a time, did they?’ (quoted in Berlin, p.55)
Several of Wallis’s scenes of Mount’s Bay have been dated recently to the late 1920s and it is possible that this picture, which shares the same simple outlines, is also from this period.
Sven Berlin, Alfred Wallis: Primitive, Bristol 1992
Matthew Gale, Alfred Wallis, London 2001
Robert Jones, Alfred Wallis: Artist and Mariner, Devon 2001
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.