
Not on display
- Artist
- James Ward 1769–1859
- Medium
- Oil paint on canvas
- Dimensions
- Support: 495 × 768 mm
frame: 562 × 850 × 65 mm - Collection
- Tate
- Acquisition
- Presented by the Art Fund 1943
- Reference
- N05410
Display caption
Ward defended Blake against charges of madness, claiming that 'There can be no doubt of his having been what the world calls a man of genius. But his genius was of a peculiar character, sometimes above, sometimes below the comprehension of his fellow-men.' Ward was decidedly eccentric but he was among the artists who recognised the merits of Blake's group of woodcuts illustrating Robert Thornton's translation of Virgil.
Gallery label, August 2004
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James Ward View in Tabley Park
1813–8 -
James Ward Gordale Scar (A View of Gordale, in the Manor of East Malham in Craven, Yorkshire, the Property of Lord Ribblesdale)
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James Ward Cattle-Piece, ? Marylebone Park
1807 -
Joseph Mallord William Turner Washing Sheep
c.1806–7 -
James Ward L’Amour de Cheval
1827 -
James Ward Sketch for ‘Daniel in the Lion’s Den’
c.1841 or c.1852 -
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?c.1828 -
James Ward A Spaniel Frightening Ducks
1821 -
James Ward The Black Horse
1824 -
James Ward The Deer Stealer
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John Frederick Lewis Head of a Lion
1824 -
James Ward The Moment
1831 -
John Frederick Lewis Head of a Lion
1824 -
James Ward A Dog Lying Down
date not known