Not on display
- Artist
- George Frederic Watts 1817–1904
- Medium
- Oil paint on canvas
- Dimensions
- Support: 2578 × 1168 mm
- Collection
- Tate
- Acquisition
- Presented by the artist 1897
- Reference
- N01643
Display caption
Watts called these three paintings The Eve Trilogy. They represent Eve’s ascension to life, her temptation and her grief after her downfall. In her temptation she is shown greedily entwined with the apple tree. The dissolving forms of the central work correspond to the idea of Eve rising up in an explosion of light and colour. By contrast, the heaviness of flesh in the final work suggests her burden of sin and guilt.
Gallery label, July 2007
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- emotions, concepts and ideas(16,661)
-
- universal concepts(6,447)
-
- sensuality(24)
- animals: mammals(4,858)
-
- leopard(30)
- blossom(44)
- food and drink(980)
-
- fruit, apple(86)
- female(1,664)
- Bible: Old Testament(379)
-
- Eve(48)
- temptation(14)
You might like
-
George Frederic Watts Eve Repentant
c.1865–97 -
George Frederic Watts ‘She shall be called woman’
c.1875–92 -
George Frederic Watts Love and Life
c.1884–5 -
George Frederic Watts Psyche
1880 -
George Frederic Watts Mammon
1884–5 -
George Frederic Watts The All-Pervading
1887–90 -
George Frederic Watts The Dweller in the Innermost
c.1885–6 -
George Frederic Watts Death Crowning Innocence
1886–7 -
Arthur Hacker The Annunciation
1892 -
George Frederic Watts ‘For he had great possessions’
1894 -
George Frederic Watts and assistants Chaos
c.1875–82 -
George Frederic Watts The Minotaur
1885 -
George Frederic Watts Faith
c.1890–6 -
George Frederic Watts and assistants Hope
1886 -
George Frederic Watts Sic Transit
1891–2