Not on display
- Artist
- George Frederic Watts 1817–1904
- Medium
- Oil paint on canvas
- Dimensions
- Support: 298 × 349 mm
frame: 416 × 466 × 68 mm - Collection
- Tate
- Acquisition
- Presented by Miss Lucy Jarvis 1930
- Reference
- N04556
Display caption
Both this picture and the one below constitute general evocations of the classical world. 'The Golden Age' is a term used to describe the happiest, most innocent epoch in the history of this world - held by some to have ended when Pandora opened her box. An imminent end to innocence is here signalled in the woman's tempting one of the children with an apple.
Gallery label, August 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Features
-
BP Spotlight: Bodies of Nature
Bodies of (Human) Nature: Nymphs in British Art 1780–1840
Explore
- emotions, concepts and ideas(16,875)
-
- universal concepts(6,472)
-
- idyll(51)
- animals: mammals(4,859)
-
- goat(134)
- wooded(8,267)
- classical myths: gods and heroes(606)
-
- putto(64)
You might like
-
George Frederic Watts A Story from Boccaccio
c.1844–7 -
George Frederic Watts Nymphs and Satyrs
c.1840 -
George Frederic Watts Life’s Illusions
1849 -
George Frederic Watts Augusta, Lady Castletown
c.1846 -
George Frederic Watts Miss Mary Kirkpatrick Brunton
1841 -
George Frederic Watts Dorothy Tennant, Later Lady Stanley
date not known -
Alfred Stevens Self-Portrait at the Age of 14
1832 -
George Frederic Watts and assistants The Court of Death
c.1870–1902 -
Joseph Mallord William Turner The Golden Bough
exhibited 1834 -
John Constable The Valley Farm
1835 -
Sir Augustus Wall Callcott Dutch Coast Scene
exhibited 1832 -
James Stark Woody Landscape
date not known -
Joseph Mallord William Turner The Visit to the Tomb
exhibited 1850 -
George Frederic Watts Ruth and Boaz
c.1835–7 -
Joseph Mallord William Turner Interior of a Great House: The Drawing Room, East Cowes Castle
c.1830