Not on display
- John Wootton ?1682–1764
- Oil paint on canvas
- Support: 1060 × 1556 mm
frame: 1373 × 1861 × 105 mm
- Presented by Paul Mellon through the British Sporting Art Trust 1979
T02378 Lady Mary Churchill at the Death of the Hare 1748
Oil on canvas 1060×1555 (41 1/2×61 1/8)
Inscribed ‘J. Wootton|Fecit 1748’ b.l.
Presented by Mr Paul Mellon KBE through the British Sporting Art Trust 1979
PROVENANCE ...; The Hon. Rachel de Montmorency, Dewlish House, Dorset, from whom bt by Colnaghi 1962; bt Paul Mellon 1963
EXHIBITED Clandon Park, Surrey, on long loan to the National Trust from the Hon. Rachel de Montmorency until c. 1961; Painting in England 1700–1850: Collection of Mr and Mrs Paul Mellon, Virginia Museum of Fine Arts, Richmond, Virginia 1963 (308 as ‘Lady on Horseback with Huntsmen and Hounds’)
LITERATURE Egerton 1978, pp.26–8, no.29, pl.10
The lady was traditionally identified in the de Montmorency family as Lady Mary Churchill (c.1735–1801), Horace Walpole's half-sister, the illegitimate daughter of Sir Robert Walpole by his mistress Maria Skerrett, whom he married after his first wife's death. There seems to be little reason to doubt this identification, for although her portrait in T02378 is hardly a sharply distinguished one, there appears to be a sufficiently credible resemblance to Lady Mary Churchill's features as shown in Arthur Pond's portrait drawing (repr. W.S. Lewis (ed.), Horace Walpole's Correspondence with the Walpole Family, 1973, facing p.41), in Johann Eckhardt's portrait ‘Colonel Charles and Lady Mary Churchill with their eldest son’, c.1750 (exh. Yale University, Beinecke Rare Book and Manuscript Library, A Guide to the Life of Horace Walpole, 1973, no.46, repr.) and in Eckhardt's portrait of Lady Mary Churchill with a music book, c.1752 (repr. W.S. Lewis, Horace Walpole, 1961, pl.II).
Wootton had earlier painted several hunting pictures for Sir Robert Walpole, including a portrait with horses and hounds of 1727 (repr. John Steegman, The Artist and the Country House, 1949, pl.34). When Sir Robert Walpole died in 1744, his daughter Mary was still under age. On 23 February 1746 she married Charles Churchill (?1720–1812), the illegitimate son of her father's old friend General Charles Churchill by the actress Ann Oldfield. Charles Churchill served in the Army and succeeded his father as Deputy Ranger of St James's and Hyde Parks 1745–57. Lady Mary Churchill herself held Court appointments, as Housekeeper first of Kensington Palace and later of Windsor Castle. As her husband's name was never traditionally linked with T02378, the figure of the man in brown who ceremonially presents the dead hare is presumably that of a hunt servant.
Throughout his life Horace Walpole showed kindness and affection to his half-sister; she (in later years with her husband) frequently stayed with him at Strawberry Hill, and Walpole hung Eckhart's portrait of her in his Great Parlour there. Wilmarth Lewis (1961, p.170) suggests that the disappearance of Horace Walpole's letters to Lady Mary Churchill is one of the chief losses of his correspondence.
A remote red-brick house with a small turret in the background has not been identified. Lady Mary Churchill and her husband lived first at Farleigh Wallop, near Basingstoke, Hampshire, and later in a ‘Gothick’ house designed for them by Horace Walpole's friend John Chute.
The frame appears to be contemporary with the painting, and may be its original frame.
Elizabeth Einberg and Judy Egerton, The Age of Hogarth: British Painters Born 1675-1709, Tate Gallery Collections, II, London 1988
- Soames, Mary(2)