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Audio

Showing 221–240 of 1,592 items

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A VIEW FROM ZAGREB: OP AND KINETIC ART - 1

What role does the viewer play? Curator Valentina Ravaglia

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A View from Zagreb: Op and Kinetic Art - 2

What is op and kinetic art? Curator Valentina Ravaglia

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Claude Monet: Water-Lilies after 1916

What was Impressionism? Curator Matthew Gale

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Claude Monet and Mark Rothko

Why show Monet with Rothko? Curator Matthew Gale

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Umberto Boccioni: Unique Forms of Continuity in Space 1882–1916

What is this work about? Curator Matthew Gale

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Edgar Degas: Little Dancer Aged Fourteen – 2

Why is Degas considered important? Curator Matthew Gale

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Apichatpong Weerasethakul: Primitive 2009

What is happening in this film? Curator Andrea Lissoni

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The Tanks – 1

What makes this space so unique? Curator Catherine Wood

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The Tanks – 2

Why have we built The Tanks? Curator Catherine Wood

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Charlotte Posenenske: Prototype for Revolving Vane – 2

Why are these sculptures replicas of the original work? Curator Catherine Wood

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Charlotte Posenenske: Prototype for Revolving Vane – 1

Which concepts did Posenenske explore? Assistant curator Isabella Maidment

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Pablo Picasso: The Three Dancers - 1

How did Picasso overlap with Surrealism? Curator Matthew Gale

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Henri Matisse : Studio Interior – 2

Why would Matisse paint his own studio? Curator Matthew Gale

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Sir Jacob Epstein: Sun God 1910, 1931–1933

How was this work installed? Art Handler Mikei Hall

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Sir Anthony Caro: Early One Morning 1962

How is this work assembled? Art handler Mikei Hall

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David Medalla Cloud Canyons No. 3: An Ensemble of Bubble Machines 1961, remade 2004

What inspired this work? The artist explains

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Marina Abramovic: Rhythm 0 1974

How closely does this table replicate the original? Curator Valentina Ravaglia

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André Fougeron: Martyred Spain – 1

Was Fougeron's art political? Curator Matthew Gale

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Piet Mondrian: Composition C (No.III) with Red, Yellow and Blue 1935

How did Mondrian use colour?

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Piet Mondrian: Composition B (No.II) with Red 1935

Who was Piet Mondrian? Curator Michael White

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