Collection | Tate

Seed Mantra

Joe Tilson

1977–8

Vangate

Igshaan Adams

2022

Der Speigel Magazine Wrapped

Christo (Christo Javacheff)

1963

Untitled

Derek Boshier

1973

POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’

William Furlong

2009

160 cm Line Tattooed on 4 People El Gallo Arte Contemporáneo. Salamanca, Spain. December 2000

Santiago Sierra

2000

The Clause

Derek Jarman

1988

The Body and Ground (Or Your Lovely Smile)

Brian Griffiths

2010

White Track

Peter Lanyon

1939–40

On display at Tate St Ives part of Modern Art and St Ives

Prospect - Archaeology of Soul

Derek Jarman

1987

Object for MANRESA

Joseph Beuys

1966

Ehrenbreitstein, During the Demolition of the Fortress in 1817, from the Quay at Coblentz, engraved by J.C. Allen

After Joseph Mallord William Turner

published 1824

View by appointment

A Three-Master Firing a Gun: Twilight, with a Crescent Moon and a Second Ship in the Distance

Joseph Mallord William Turner

1799

View by appointment

Stringed Figure (Curlew), Version II

Dame Barbara Hepworth

1956, edition 1959

On display at Barbara Hepworth Museum and Sculpture Garden part of Barbara Hepworth

Maquette, Three Forms in Echelon

Dame Barbara Hepworth

1961

On display at Barbara Hepworth Museum and Sculpture Garden part of Barbara Hepworth

Relief Construction

John Wells

1941

On display at Tate St Ives part of Modern Art and St Ives

Sculpture with Colour (Deep Blue and Red)

Dame Barbara Hepworth

1940

On display at Barbara Hepworth Museum and Sculpture Garden part of Barbara Hepworth

The Handsome Pork-Butcher

Francis Picabia

c.1924–6, c.1929–35

On display at Tate Modern part of In the Studio

Llanstephan Castle by Moonlight, with a Kiln in the Foreground

Joseph Mallord William Turner

c.1795

View by appointment

Large Horse

Raymond Duchamp-Villon

1914, cast 1961

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Seed Mantra

Vangate

Der Speigel Magazine Wrapped

Untitled

POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’

160 cm Line Tattooed on 4 People El Gallo Arte Contemporáneo. Salamanca, Spain. December 2000

The Clause

The Body and Ground (Or Your Lovely Smile)

White Track

Prospect - Archaeology of Soul

Object for MANRESA

Ehrenbreitstein, During the Demolition of the Fortress in 1817, from the Quay at Coblentz, engraved by J.C. Allen

A Three-Master Firing a Gun: Twilight, with a Crescent Moon and a Second Ship in the Distance

Stringed Figure (Curlew), Version II

Maquette, Three Forms in Echelon

Relief Construction

Sculpture with Colour (Deep Blue and Red)

The Handsome Pork-Butcher

Llanstephan Castle by Moonlight, with a Kiln in the Foreground

Large Horse

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Hurvin Anderson

Tracey Emin: A Second Life

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Showing 2,471 results for 'spring'

Seed Mantra

Vangate

Der Speigel Magazine Wrapped

Untitled

POSSIBILITY & IMPOSSIBILITY OF FIXING MEANING Print 1: ‘I Remember Having a Conversation with Liam Gillick’

160 cm Line Tattooed on 4 People El Gallo Arte Contemporáneo. Salamanca, Spain. December 2000

The Clause

The Body and Ground (Or Your Lovely Smile)

White Track

Prospect - Archaeology of Soul

Object for MANRESA

Ehrenbreitstein, During the Demolition of the Fortress in 1817, from the Quay at Coblentz, engraved by J.C. Allen

A Three-Master Firing a Gun: Twilight, with a Crescent Moon and a Second Ship in the Distance

Stringed Figure (Curlew), Version II

Maquette, Three Forms in Echelon

Relief Construction

Sculpture with Colour (Deep Blue and Red)

The Handsome Pork-Butcher

Llanstephan Castle by Moonlight, with a Kiln in the Foreground

Large Horse

Pagination

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