Rita Keegan Red Me 1986 UK Government Art Collection; Artwork © Rita Keegan; © Image: Crown Copyright, UK Government Art Collection
Women in Revolt! Art and Activism in the UK 1970 - 1990 8 November 2023 - 7 April 2024
Tate Britain presents Women in Revolt!, a landmark exhibition of feminist art in the UK from 1970 to 1990. It explores how interconnected networks of women used radical ideas and rebellious methods to make an invaluable contribution to British culture. Showcasing work by over 100 women artists and collectives living and working in the UK, this is the first major survey of its kind.
Painting, drawing, photography, textiles, printmaking, film, sculpture, and archival materials have been brought together to map a landscape of creative practice forged against a backdrop of extreme social, economic, and political change. As well as celebrating the work of well-known artists such as Sonia Boyce, Susan Hiller, Chila Kumari Singh Burman and Linder, Women in Revolt! platforms many women, who despite long careers, have been largely left outside the artistic narratives of the time. Shown in a major institutional exhibition for the first time are works by Poulomi Desai and Shirley Cameron among many others.
Presented chronologically, the exhibition begins with the first women’s liberation conference in the UK, Miss World protests and the formation of the Brixton Black Women’s Group. Artists such as Margaret Harrison, Penny Slinger and Monica Sjöö subverted the expected roles of women in society, while Kate Walker, Monica Ross and Su Richardson worked collectively on a postal art project, demonstrating how communities of women found ways to work collaboratively without formal infrastructure. Many of these pieces have not been shown since the 1970s.
This period saw a dramatic evolution of the relationship between women, work, and the domestic environment. Frustration with an expectation of domestic labour is the subject of work by Bobby Baker, posters by See Red Women’s Workshop and photography by Alexis Hunter, whilst The Hackney Flashers and Tina Keane consider the social and political implications of raising children in Who’s Holding the Baby 1978 and Clapping Songs 1979. Sculptures by Rita McGurn and Elizabeth Radcliffe offer glamorous imagined images of the self, using techniques like crochet: often underappreciated because of its connection to domestic labour.
The exhibition explores the creative impact of punk and post-punk with collage, photography and film from artists and musicians like Marianne Elliott-Said (A.K.A Poly Styrene), The Neo Naturists, and Gina Birch. The consideration of sex in the practice of artists is also explored, from Cosey Fanni Tutti’s performance work to Jill Westwood’s Potent Female, 1983. Protest led by women is a core theme throughout the show. Banners, posters, and journals from the Greenham Common and Section 28 protests, and anti-racism and AIDS campaigns are accompanied by documentary photography from Format Photography Agency, Mumtaz Karimjee, Bhajan Hunjan and Caroline Coon, affirming women’s central role in this activism. A major sculpture by Margaret Harrison which references the fences of Greenham Common is installed alongside protest banners by Thalia Campbell.
The impact of women artists who were involved in key movements like the BLK Art Group and the advocacy group and archive Panchayat will be explored, as well as their role in the first National Black Art Convention in 1982 and ongoing contribution to British Black and South Asian feminist art discourses. Alongside works by key figures like Lubaina Himid, Sutapa Biswas, Claudette Johnson, Pratibha Parmar, Joy Gregory and Rita Keegan are works which are being specially conserved for the exhibition such as Nina Edge’s Snakes and Ladders 1985, an installation made of batik on paper and ceramics, which despite featuring on the cover of fellow exhibitor Maud Sulter’s landmark 1990 book Passion: Discourses on Blackwomen’s Creativity, has not been shown in over three decades.
The exhibition closes with work made towards the end of the Thatcher administration, focusing on women’s response to Section 28, the visibility of lesbian communities, and the AIDS epidemic by artists including Del LaGrace Volcano, Tessa Boffin and Jill Posener. Women in Revolt! concludes with works that reflect on the changing economic landscape and women’s place within it by Franki Raffles and Roshini Kempadoo.
Women in Revolt! is supported by the Women in Revolt! Exhibition Supporters Circle, Tate International Council, Tate Patrons and Tate Members. Exhibition curated by Linsey Young with Zuzana Flaskova, Hannah Marsh and Inga Fraser. Moving image works co-curated with Lucy Reynolds.
The exhibition title comes from Eve Figes’s 1970 text Patriarchal Attitudes: The Case for Women in Revolt.
The exhibition has been developed with the assistance of advisors: Griselda Pollock, Professor, School of Fine Art, Leeds and recipient of the 2019 Holburg Prize in recognition of her contribution to feminist theory; Marlene Smith, artist, curator, and founding member of the BLK Art Group and lead researcher for Black Artists and Modernism with the University of the Arts London and the University of Middlesex; Althea Greenan, Curator of the Women’s Art Library, Goldsmiths.
With additional assistance from Stella Dadzie, Suzanne Scafe, Juliet Jacques and Lucy Whitman.
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List of Artists
Brenda Agard; Sam Ainsley; Simone Alexander; Bobby Baker; Anne Bean; Zarina Bhimji; Gina Birch; Sutapa Biswas; Tessa Boffin; Sonia Boyce; Chila Kumari Singh Burman; Shirley Cameron; Thalia Campbell; Helen Chadwick; Jennifer Comrie; Judy Clark; Caroline Coon; Eileen Cooper; Stella Dadzie; Poulomi Desai; Vivienne Dick; Nina Edge; Marianne Elliott-Said (Poly Styrene); Rose English; Catherine Elwes; Cosey Fanni Tutti; Aileen Ferriday; Format Photographers Agency; Chandan Fraser; Melanie Friend; Carole Gibbons; Penny Goring; Joy Gregory; Hackney Flashers; Margaret Harrison; Mona Hatoum; Susan Hiller; Lubaina Himid; Amanda Holiday; Bhajan Hunjan; Alexis Hunter; Kay Fido Hunt; Janis K. Jefferies; Claudette Johnson; Mumtaz Karimjee; Tina Keane; Rita Keegan; Mary Kelly; Rose Finn-Kelcey; Roshini Kempadoo; Sandra Lahire; Lenthall Road Workshop; Linder; Loraine Leeson; Alison Lloyd; Rosy Martin; Rita McGurn; Ramona Metcalfe; Jacqueline Morreau; The Neo Naturists; Lai Ngan Walsh; Houria Niati; Annabel Nicolson; Ruth Novaczek; Hannah O’Shea; Pratibha Parmar; Symrath Patti; Ingrid Pollard; Jill Posener; Elizabeth Radcliffe; Franki Raffles; Samena Rana; Su Richardson; Liz Rideal; Robina Rose; Monica Ross; Erica Rutherford; Maureen Scott; Lesley Sanderson; See Red Women’s Workshop; Gurminder Sikand; Sister Seven; Monica Sjöö; Veronica Slater; Penny Slinger; Marlene Smith; Maud Sulter; Jo Spence; Suzan Swale; Anne Tallentire; Shanti Thomas; Martine Thoquenne; Gee Vaucher; Suzy Varty, Christine Voge; Del LaGrace Volcano; Kate Walker; Jill Westwood; Nancy Willis; Christine Wilkinson; Vera Productions, Shirley Verhoeven.
Women in Revolt!
8 November 2023 – 7 April 2024
Tate Britain, Millbank, London SW1P 4RG
Open daily 10.00–18.00
Tickets available at tate.org.uk and +44(0)20 7887 8888
Free for Members. Join at tate.org.uk/members
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Tour
Women in Revolt! will tour to National Galleries Scotland: Modern, Edinburgh (25 May 2024 – 26 January 2025) and to The Whitworth, The University of Manchester (7 March – 1 June 2025).